A Quote by Jason Moran

Most pianists listen to about four or five different piano players before they call it quits and say, 'Okay, I've got my thing together.' Herbie Hancock, McCoy Tyner, Bill Evans, Keith Jarrett and maybe Chick Corea. Or maybe before that, Oscar Peterson.
I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.
Bob Erlendson, a local piano player, taught me chord structure and which scales go along with them. Later, I began listening to [pianists] Bill Evans and McCoy Tyner. Then I got interested in [saxophonist] John Coltrane.
I picked up some wonderful things just listening to other pianists that I appreciate, and that would be Herbie Hancock, Oscar Peterson, Vladimir Horowitz, and Art Tatum. Those are the pianists I really enjoy and admire.
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
Oscar Peterson is my favorite all-around pianist. There are pianists I like because of one thing and pianists I like because of another. But overall, I like Oscar Peterson best.
I'm not Bill Evans. I'm not Keith Jarrett. I'm basically a singer who plays along with his voice.
I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.
I haven't been afraid of John Coltrane or Miles Davis or Bill Evans or Wayne Shorter or Herbie Hancock. Why would I be afraid of the Beatles?
I've always got maybe around four different titles in mind, maybe about four different ideas that I'd love to make.
I want an audience that we might call a pop audience. Cross over to pop. Cross over to R&B. And bring those people to Brubeck and Chick Corea, you dig? A lot of people found Dave Brubeck and Chick Corea because they came to hear 'We're in This Love Together' and 'After All.'
Because you think an explosion has taken place and you're looking at the shards and you say, 'Well, can we put this back together?' And by God, maybe you can put it back together. And maybe it won't be the same, but maybe it will be different, and maybe it can even be better in a different way.
Oscar Peterson is the greatest living influence on jazz pianists today.
I had no clue of Hollywood until I became a teenager. Then I got a fake ID in Tijuana and discovered Shelly's Manne-Hole, on Cahuenga and Selma, where I saw John Coltrane and his piano player, McCoy Tyner, and Elvin Jones, the drummer - my idol.
I've been listening to Herbie Hancock forever. He's gone through so many transitions, even before bringing hip-hop to the forefront with 'Rockit' and everything.
With what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." Nick says. "Maybe," Nick says, "what we're supposed to do is come together. That's how we stop the breaking.
I auditioned at four different colleges. When I got into the University of Michigan, my parents said, 'Okay, maybe you do have talent.'
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