A Quote by Jason Mraz

Well, I've been happily supporting myself for ten years now on the hustle and trade of live entertainment. I guess my breakthrough moment was when I decided to go for it once and for all.
It is a fact today that one in ten thousand of us can make a technological breakthrough capable of supporting all the rest.
I decided that if I could fly for ten years before I was killed in a crash, it would be a worthwhile trade for an ordinary life time.
I've been lucky enough to travel widely. When you're based in Europe, it's very easy to go to Madrid or Budapest for the weekend. I also lived in Italy for ten years and now live in Ireland.
I offer gentle understanding to myself. I position myself in love, not fear. I look behind me with forgiveness. I look forward with festive anticipation. I embrace this holy moment and assert, "Now. This moment is the moment to love, the moment to serve, the moment to seize the legacy instead of the small. Now. Now I will live large, love boldly, reach to the edges of my unfurled heart and fully enrolled hope."
3D is very exciting. I love it. I'm a complete convert. Everything for me, from now on, is 3D. I'm completely convinced it's the future of home entertainment, as well as cinema entertainment. I think it's a paradigm shift, in terms of cinema, and those things don't happen very often. The introduction of sound, the introduction of color photography and now 3D have been the big shifts. They happen once every 40 or 50 years, so it's very exciting to be a filmmaker, working while one of them is happening.
One in ten thousand of us can make a technological breakthrough capable of supporting all the rest. The youth of today are absolutely right in recognizing this nonsense of earning a wage.
I guess there's just a part of me that's not very enthusiastic about finding myself ten years from now halfway through a story that may or may not be any good.
Now then, if we were to go the lowest road and plaster my face on the bottle of oil and vinegar dressing just to line our pockets, it would sink. But to go the low road to get to the high road- shameless exploitation for charity, for the common good- now that's an idea worth the hustle, a reciprocal trade agreement.
For some years now, I've been doing a program called "Sinatra Sings Sinatra." It's been going on virtually since the end of '98. Nineteen ninety-eight was the year Frank Sinatra died. ... Now having reached what would have been his 100th year - I decided back in 2013 when we started to put all of this together, I decided what we should do was the first "Sinatra Sings Sinatra" in which we go audio visual.
Once I reached my 40s, I thought to myself that if I'm going to play live now, I need to really mean this. I can't go out and be a little bit, for one moment slovenly in my choices as a performer. I mean, these people have paid a lot of money to be here, they've been through the nightmare of getting here, starving themselves waiting for us to get on stage, so I'm going to give them what they came here for.
Ten years have now passed since many of us first felt the jolt of history-when the second plane crashed into the South Tower of the World Trade Center. We knew from that moment that things can go terribly wrong in our world-not because life is unfair, or moral progress impossible, but because we have failed, generation after generation, to abolish the delusions of our ignorant ancestors.
I love idleness. I love to busy myself about trifles, to begin a hundred things and not finish one of them, to come and go as my fancy bids me, to change my plan every moment, to follow a fly in all its circlings, to try and uproot a rock to see what is underneath, eagerly to begin a ten-years' task to give it up after ten minutes: in short, to fritter away the whole day inconsequentially and incoherently, and to follow nothing but the whim of the moment.
I never second-guess myself. I could wrestle you right now and I know we'd have a good match. Right now. Let's go to the ring and don't even worry about it, let's go. Madison Square Garden. Let's do it. Once you feel that way, nothing can bring you down, nothing can stop you.
My idea in Half the Kingdom was simply, or not so simply perhaps, that medical science has given us twenty extra years of life. Those twenty extra years - one is grateful for them, one is happy, but they also give you ten or twenty years more of losing your faculties. That is actually the origin of my notion. Once you live longer than you're supposed to live, things go dreadfully wrong. But nevertheless, you're not dead.
I live now and only now, and I will do what I want to do this moment and not what I decided was best for me yesterday.
I've always been a fan of movies well before I got involved in the industry. The magic that it brings and being able to, I guess, escape your troubles, escape whatever is going on in life and getting to live in this moment and in the story and live in the lives of these characters.
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