A Quote by Jay Chandrasekhar

I've written close to 20 screenplays and 100 sketches - I know exactly how to do them. They're judged by set criteria that I know. — © Jay Chandrasekhar
I've written close to 20 screenplays and 100 sketches - I know exactly how to do them. They're judged by set criteria that I know.
I realize how much I rely on the actors to really know the lines because I tend to forget what they are exactly, even though I've written them. I don't have them memorized. But when it's going well, there is that point where the actor starts to know more about the character than I do.
We don't actually know if the person who wrote the Gospel of John had a written copy of Thomas because we don't know exactly when it was written.
Dysfunctional co-dependent relationships always appeal to me. I don't know exactly how it started. I start writing sketches of characters and little scene-lets, and then it builds.
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
If you've written it you know exactly; whoever you're playing if you've written it you already know it. As a matter of fact, you've already made the movie if you wrote it. You've made it in your head.
When I started writing screenplays, as early as I started writing anything, I hadn't seen any ordinary screenplays. I saw movies and figured out how I thought they should be written.
I feel like a lot of the films I do, part of the reason I like doing them is I'm not 100 percent sure what it's going to be. It's exciting. I read an equal amount of very generic scripts, and you kind of know exactly what those are and that doesn't whet my appetite. I already know what it is or I already know what the character is. It's just a lot harder to get interested.
I'm close to my audience. I think I have more tools in my box than other guys who might try it. Also, I know how to do this stuff. I know how to write and shoot and edit. I'm technically adept and that helped with the website. You need a big skill set.
I may not have written the stories that I've written if I hadn't ended up in Niverville. I don't know; I don't know. How can you know?
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
I know how my body operates differently from what it did when it was 30 and when it was 20. As unhealthy as I am, I'm weirdly aware of exactly how my body functions.
The one thing I've always said: Let your family and close friends be the judge of who you are as a person. Don't worry about being judged by others who don't know you, because your family and close friends know what you're all about, good and bad.
I don't know how many resolutions from the IMF or G-20 we have already written saying that such [financial] reforms are necessary for new growth.
Most people know how to set goals; few know how to achieve them.
The idea here is for communities to decide how they meet these criteria for becoming sustainable economically, ecologically and socially.Through a community decision-making process. And exactly how that would be configured, you know, remains to be established. The process of community budgeting, participatory budgeting, is one model that's been suggested.
The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.
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