A Quote by Jay DeMarcus

We cut songs that touch us because if they don't touch us first, there's no way in the world we're going to be able to sell those songs to somebody else. — © Jay DeMarcus
We cut songs that touch us because if they don't touch us first, there's no way in the world we're going to be able to sell those songs to somebody else.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
I do gravitate towards the sad songs because I find them to be more of a challenge for me from a writing perspective. There are things about those songs that do touch people in a way that a fun song can't.
You touch everyone, Emily. You touch a father's heart. A stranger's loyalty, and the soul I never knew I had. You touch it, and you remind us of all the innocence we've lost in the world." - Kell Krieger
We call them impact songs, and people buy impact songs. But you just never know what those songs are going to be. One of those songs that really went through the roof for us was 'Big Green Tractor,' which I thought was kind of a fun little ditty song that I never in a million years thought would be as big as it was. But it was.
We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
There's certain songs that you're gonna record that you hope to touch people and change lives, and there's certain songs that you know that are not going to be that serious.
On 'Heartbreaker,' I had to sing those songs. I drank the way I did those songs. I ate the way I did those songs. I communicated the way I did those songs. With 'Gold,' I was trying to prove something to myself. I wanted to invent a modern classic.
There are no leftover Tool songs because of the process it takes to compose our songs - the way we hash it out in a room with all three or four of us, that there's tons of riffs and jams and things. But there's no put-together songs that are sitting in the eaves.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
A pianist with skill, touch, musicality and a gift for making songs from songs. Plus, he can swing! Give a listen
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Why do we have to have people come from afar to come and grow food for us, or to grow food to sell to us? It is partly because we are almost becoming used to people doing things for us. Like somebody else is going to solve that problem for us. And that to me is very disempowering system.
We learn to make a shell for ourselves when we are young and then spend the rest of our lives hoping for someone to reach inside and touch us. Just touch us—anything more than that would be too much for us to bear.
Trouble makes us one with every human being in the world - and unless we touch others, we're out of touch with life.
I don't want to sing songs that aren't worth while. Time is so rare. I just don't want to waste the listener's time and I think that my songs don't do that. That's what I pray for. I want songs that really touch people's hearts.
This site uses cookies to ensure you get the best experience. More info...
Got it!