A Quote by Jay McInerney

Publishers send me a lot of first novels because my first novel was the defining novel of my career, and I guess a lot of people want my benediction or something. — © Jay McInerney
Publishers send me a lot of first novels because my first novel was the defining novel of my career, and I guess a lot of people want my benediction or something.
I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I mean, every novel's a historical novel anyway. But calling something a historical novel seems to put mittens on it, right? It puts manners on it. And you don't want your novels to be mannered.
I remember being interviewed about my first novel, 'The Colour of Memory.' They kept using the expression 'your first novel,' and I said, 'No, I object to that phrase, because this is it for me.'
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
When people write a novel, they want to have that reach and that impact. To get it with a first novel, you can either see it as an albatross or a calling card.
I can have people around a lot more because I'm not always chasing them away so I can work on my novel. My non-novel, I mean.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
When I was 26, I wrote my first mystery, 'The Thomas Berryman Number', and it was turned down by, I don't know, 31 publishers. Then it won an Edgar for Best First Novel. Go figure.
My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
Just about everybody has written a first novel that they throw away before writing their actual first novel.
Why do I like to write short stories? Well, I certainly didn't intend to. I was going to write a novel. And still! I still come up with ideas for novels. And I even start novels. But something happens to them. They break up. I look at what I really want to do with the material, and it never turns out to be a novel.
The conventional wisdom is that authors get only one chance in this world. If your first novel doesn't sell, publishers and bookstores lose interest, and your career stalls, barring an act of God or Oprah.
While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.
'The Man in the High Castle' was not the first alternative history novel, nor even the first Nazis-win-the-war novel, but it is still probably the most influential book in the genre.
This site uses cookies to ensure you get the best experience. More info...
Got it!