A Quote by Jay Mohr
If there are 1,500 people in a theater and they're all there to see you, there are no other guys. You're the guy. So it is a monastic life, it is very lonely, if I was prone to loneliness. It's a lot like wrestling, no one can throw a block for you, no one can give you a pass. Nobody can hand the ball off to you, it's you only for an hour and a half every night.
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The only difference between baseball guys or football guys and wrestling guys is that when you go to the game, you see a team out on the field wearing uniforms. In wrestling, you see a two-thirds naked guy up real close.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
We have never, ever, in the history of football seen a guy that possesses what Aaron Rodgers possesses. Nobody, no quarterback in history, has the touch, the accuracy, the ability to throw the ball moving left or right, throw the ball from the pocket, throw the ball from different plains.
We can talk about the value of sportsmanship on one hand, and on the other hand, the leading shots, highlights ... you see every night are the outrageous and unsportsmanlike, so I think there is a double standard here. On the one hand, we complain about it, on the other hand it's the first thing you see every night.
In the future, I'd like to break more into acting and stuff. I think that pro wrestling is a great springboard, really. You see a lot of guys coming from that world. In a lot of ways, it's like live theater. Guys going out there and performing and having to act on the fly and be their own stuntmen at the same time.
I can score the basketball, but I think I can pass pretty well or I can make the correct pass. I'm not the type of guy who's just going to throw the ball inbounds to a guy who's wide open. I can make the right pass.
You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I'm hoping that'll develop into something I can do.
If there is anything good to be said about my particular line of work, it's that we get to tell people the news they need to hear, and to put it in context. To get to that - for one hour every night on the 'PBS NewsHour,' and for an additional half-hour every Friday night on 'Washington Week,' we have to slog through a lot of tough stuff.
SOLIDAO, LONELINESS. What is it that we call loneliness. It can't simply be the absence of others, you can be alone and not lonely, and you can be among people and yet be lonely. So what is it? ... it isn't only that others are there, that they fill up the space next to us. But even when they celebrate us or give advice in a friendly conversation, clever, sensitive advice: even then we can be lonely. So loneliness is not something simply connected with the presence of others or with what they do. Then what? What on earth?
Well, the fella I got on there is hitting pretty good and I know he can make that throw, and if he don't make it that other fella I got coming has shown me a lot, and if he can't I have my guy and I know what he can do. On the other hand, the guy's not around now. And, well, this guy may be able to do it against left-handers if my guy ain't strong enough. I know one of my guys is gonna do it.
We want to see a struggle. We want to see people falling over but getting themselves back up on their feet, and that's what's extraordinary- ordinary people and their struggle. There's nothing as interesting as real life out your window. You walk down the street for half an hour, I'll give you half an hour of drama.
I think it's funny, if you look at Brian Cage, the guy calls himself 'The Machine.' 265 lbs and spends a lot of time in the gym and eating chicken breasts. The guy comes in Impact Wrestling and instead of going after a guy like Moose or Killer Kross, who is he beating up? A bunch of guys half his size? Walking around like he's a big man.
You put yourself out there in the truest way you can and hope others do the same. You'll connect or you won't, but you did what you could. It's like playing ball in some way. There are guys on the team, like Cody, I'd give my life for. But you have to be willing to lay down your life for all of them if you want to put the best you on the field. Every guy on that field has to believe you'll bring nothing back off the field with you.
'Star Trek' is the McDonald's of science fiction; it's fast food storytelling. Every problem is like every other problem. They all get solved in an hour. Nobody ever gets hurt, and nobody needs to care. You give up an hour of your time, and you don't really have to get involved. It's all plastic.
Star Trek' is the McDonald's of science fiction; it's fast food storytelling. Every problem is like every other problem. They all get solved in an hour. Nobody ever gets hurt, and nobody needs to care. You give up an hour of your time, and you don't really have to get involved. It's all plastic.
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