A Quote by Jay-Z
I've got a nice collection of paintings - a Basquiat, a black-and-white Warhol that's like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It's almost like the explosion in Hiroshima with his famous skeleton head. There's a wall above my fireplace reserved for it.
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I'd been asked by Takashi Murakami to collaborate on something, which was an honor for me. I was really pleased. And then he had me as a guest speaker on his radio show, and we were talking about art. I don't think he knew I was interested in the topic - he was really surprised to find out that I own some original Andy Warhol and Gerhard Richter and Jean-Michel Basquiat works. So, in some ways, I think he simply wanted to see what I have.
If Murakami's novels are grand enigmas, his stories are bite-sized conundrums. (...) The great pleasure of the new story collection, Blind Willow, Sleeping Woman, is watching Murakami come at his obsessions from so many different angles. There's a panoply of strangeness between these covers (.....) This collection shows Murakami at his dynamic, organic best. As a chronicler of contemporary alienation, a writer for the Radiohead age, he shows how taut and thin our routines have become, how ill-equipped we are to contend with the forces that threaten to disrupt us.
Books are my one luxury. I have a lot of large coffee-table-size art books, in the shelves above my bed, about people like Warhol, Basquiat and Velasquez.
[Takashi] Murakami, do you think he is spiritual? He is more like de-spiritualized. De-spiritualized might be the most contemporary aspect of the human mind.
A book collection is a cross between a Rorschach test and This Is Y our Life. It marks your life clearly like rings on a tree.
The paintings usually start as abstracts and then I look at them and look at them, and like a Rorschach test, I try and see what it is.
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
I think the way you can tell if a guy and girl are in a serious relationship is whether or not they have black and white pictures of themselves together. That's the real test. Because it takes effort to get nice black and white photos. If you've gone that far, there's no turning back.
Until the late 1970s there'd either be only black or white in the paintings or if there were colours it would be a small amount, not a large area, and with the color separated from other colors by black or white (which is formula for Damien Hirst's successful dot paintings, incidentally).
I would never try and play like Harry James, because I don't like his tone - for me. It's just white. You know what I mean? He has what we black trumpet players call a white sound. But it's for white music ... I can tell a white trumpet player, just listening to a record. There'll be something he'll do that'll let me know that he's white.
When the police arrived and found no lion, no broken wall, and no convicts, and the Head behaving like a lunatic, there was an inquiry into the whole thing. And in the inquiry all sorts of things about Experiment House came out, and about ten people got expelled. After that, the Head's friends saw that the Head was no use as a Head, so they got her made an Inspector to interfere with other Heads. And when they found she wasn't much good even at that, they got her into Parliament where she lived happily ever after.
Whenever it gets a little cold in L.A., it gives me an excuse to light my fireplace. You could stare at that joint for, like, a cool two hours. It's entrancing.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
Slowly he took out the clothes in which, ten years beforem Cosette had left Montfermeil; first the little dress, then the black scarf, then the great heavy child's shoes Cosette could still almost have worn, so small was her foot, then the vest of very thich fustian, then the knitted petticoat, the the apron with pockets, then the wool stockings.... Then his venerable white head fell on the bed, this old stoical heart broke, his face was swallowed up, so to speak, in Cosette's clothes, and anybody who had passed along the staircase at that moment would have heard irrepressible sobbing.
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