A Quote by Jaz Sinclair
I remember finishing a monologue, looking up, and seeing people really moved and then being like, 'Oh, my imagination just took me somewhere completely different.' That was the moment I knew that this is what I wanted to do.
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I think, probably, being a young artist, there were a lot of things I thought I knew and I wanted to do, and I was like, 'Oh! That's what I want to do.' And then it took me in a different direction with 'I Think We're Alone Now,' and then all of a sudden, I was a pop star.
I have to slow down for some people. In Louisiana, people didn't have a clue what I was talking about. I remember seeing people glaze over. Seeing the moment where they've just completely lost all... They just wait for me to stop talking and then say, 'Yeah.'
I love L.A. It was an awesome place to spend my 20s, full of creative people, but I never wanted to stay there. It wasn't necessarily Texas that I wanted to move to; I just knew I wanted to live in the country somewhere. My wife and I found this place in Texas that we really liked, so we packed up our stuff and moved.
I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
I'm happy every day. You know, that moment when you first wake up in the morning, and you're just finishing your dream, like you're a dog chasing a post truck - and then you realize, 'Oh no, I'm a human, and I'm awake, and it's Trump's America!
I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.
If Donald Trump is just tweeting about a union guy, then he's just being the bully we have seen. But if he uses the power of the presidency to back up some of those tweets and he's really, really coming down with a hammer on people he doesn't like using the power of the presidency, then we're seeing something very new and very different.
I started doing drag in Seattle because I started doing my column before I moved here, and then moved here and wanted to be able to go out and do things as Dan Savage without being recognized the next day, because the column was just in Seattle and it was kind of a sensation and I was beating people up. I was really worried and I didn't want to beat somebody up in a column and have that person know what I look like when I didn't know what they looked like.
Earlier in my career I just thought "I'm not very confident, I don't like singing to people." But people had some faith in me, and here we are. Sometimes I think "Oh maybe I should just be a backing singer." But I've got an amazing team of people who tell me to shut up when I'm like "Oh god, I can't do it." But now, I can't really imagine it being the other way.
I just kinda do what I feel. I never knew what lane I would fill, [or that] I would fill a lane at all. I didn't even really contemplate that far down the road. I just started having fun, and a lot of that came from me seeing Wayne dare to be different, and I started feeling like I can be a multifaceted rapper. I don't have to be a one-dimensional female rapper. Once I put that in perspective, it was like everything just got easier for me, because I no longer wanted to fit in anybody's box... I just wanted to be Nicki.
I was interested in flying beginning at age 7, when a close family friend took me in his little airplane. And I remember looking at the wheel of the airplane as we rolled down the runway, because I wanted to remember the exact moment that I first went flying... the other thing growing up is that I was always interested in science.
I remember being in Dublin in a café and seeing him [Jack Gleeson] two or three years ago, and he came in - Joffrey[from the Game of Thrones] came in - and I remember being so star-struck. I don't like famous people and I don't really get star-struck. But I remember seeing him and being so impressed that he was walking around. So I really like Joffrey.
I don't remember the exact moment I fell in love with snowboarding; it wasn't something cheesy like, 'Oh the wind was blowing through my hair and I just knew this sport was for me... ' I was good at it, and it's exhilarating!
If I had moved to Tokyo, I might even have become a completely different person... although, ever since the start, I've never wanted to move to Tokyo. I just can't handle there being so many people.
When I was younger, I was just always looking for - you're always looking for this hot, so hot, like super-hot girl. And then, as I've gotten older, different things are really important to me, like just honesty. Being able to sit down and have a conversation.
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