My dream project is a sports film, because I love writing emotional music and a sports film is one of the few places you can do it without being melodramatic.
I love sports. Anytime I can combine sports with a film I'm a happy guy. It's such a natural fit, because sports always seems to be a metaphor for life. Always, always, always.
It was no accident that I made 'Hoop Dreams' because it concerned a sport that I loved and hoped would be my dream, however far-fetched that turned out to be. Because of the success of that film, Hollywood pigeonholed me as a sports biopic guy, which led to 'Prefontaine' and two cable sports films.
That's the thing I love about sports: sports force you to quit. You can't pursue your dream till you're 46. When it comes to acting, writing, comedy, nobody ever stops you.
I could never be a sports writer, unless my assignment was to write 'sports sports sports sports sports' for three pages.
After watching 'Dangal,' I called my writer and told him that I wanted to do a sports film for Punjab because no sports movies have been ever made in Punjab.
I've actually done more [music for] films than television. I love the process of writing for a film. I love that you are creating this suite of music for a film, that's all tied together sonically and thematically and hopefully people associate with the film. They all are meaningful to me in different ways.
The last few years I became a lot more into sports. Growing up, the sports I liked were independent sports, like skateboarding. I was really into skateboarding, and not necessarily team televised sports.
I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.
Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken.
My biggest dream from the beginning - besides Evanescence - is scoring film and writing music for film.
They wanted me to play more sports because they were acutely sensitive to their children being one hundred percent American, and they believed that all Americans played sports and loved sports.
I'm not a sports fan, but I remember watching highlights with post-rock guitar instrumental music over these slow-motion shots of football players. It's triumphant, and it's emotional, and that's what sports are for.
I think my music being referred to as "cinematic" has a lot to do with people just not being used to listening to instrumental music without watching a film. I'm still pretty convinced of that. You'll play Chopin in place of something average and like, "Wow, that'd be great in a film." People say it every time, swear to God. I don't think people have a good relationship with instruments and music anymore. But it's definitely visual; I started writing with this band because of the pictures. I can't really deny it either, you know?
I would love to do a period film, a sports film, or an out and out action movie.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm... Imagine the world without music. Man, just hand me a gun, will you?
If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.