A Quote by Jeff Gordon

I saw the wreck on TV in the hauler when I was getting dressed to leave. I thought, 'Oh, he'll be fine.' It didn't look like that type of an accident. I remember walking to the bus lot, seeing Teresa walk by. She definitely had a look on her face that I had not seen on her face before.
And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
She looked up at him and her face was pale and austere in the uplight and her eyes lost in their darkly shadowed hollows save only for the glint of them and he could see her throat move in the light and he saw in her face and in her figure something he'd not seen before and the name of that thing was sorrow.
Up on the roof Tatiana thought about the evening minute, the minute she used to walk out the factory doors, turn her head to the left even before her body turned, and look for his face. The evening minute as she hurried down the street, her happiness curling her mouth upward to the white sky, the red wings speeding her to him, to look up at him and smile.
I took one glance at her in that hospital bed under the dull light and recognised the look on her face, which I'd seen on donors often enough before. It was like she was willing her eyes to see right inside herself, so she could patrol and marshal all the better the separate areas of pain in her body.
She wasn't looking her best; her hair was coming down, for she had shed hairpins as she'd run, and her face lacked powder and lipstick. She looked hot and tired and surprisingly happy. He thought that he had never seen anyone quite as beautiful, so absolutely necessary to his happiness. It wasn't the first time he had fallen in love, but he knew that this was the last.
Look at Nicola Walker in 'Last Tango in Halifax.' She has the most wonderful face. You just want to look at her. And if she'd gone off and had Botox and facelifts, I wouldn't want to look at that face because it wouldn't express anything.
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her. Before she could speak, almost before she could feel, a voice called 'Lucy! Lucy! Lucy!' The silence of life had been broken by Miss Bartlett, who stood brown against the view.
I sensed she [Sarah Harmer] had this look on her face like, 'Jesus, if you can do it, I certainly can.' But I had nothing to teach her, let's put it that way.
The day that I saw Whoopi Goldberg on television, I cried so hard because I kept looking at my daddy going, 'Oh my God. There's somebody on TV that looks like me! She looks like me! Yay! I can be on TV! I can be on TV! I can do it! Look at her - look at her! She looks just like me.'
She was, if anything, on the plain side, at least not the type to attract men wherever she went. But there was something in her face that was meant for me alone. Everytime we met, I took a good look at her. And loved what I saw.
She bowed her head, clasping her hands tightly before her upon the arm of his chair, for her heart yearned towards him, yet could not reach him, and it made her throat ache with unhappiness to meet that look of his that rested on her face without seeing it.
He looked back at her, and when she saw the look on his face, she saw his eyes at Renwick’s, when he had watched the Portal that separated him from his home shatter into a thousand irretrievable pieces. He held her gaze for a split second, then looked away from her, the muscles in his throat working.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
Charlie had Sophie strapped to his chest like a terrorist baby bomb when he came down the back steps. She had just gotten to the point where she could hold up her head, so he had strapped her in face-out so she could look around. The way her arms and legs waved around as Charlie walked, she looked as if she was skydiving and using a skinny nerd as a parachute.
Now very much against her will, she thought of the way Jace had looked at her then, the blaze of faith in his eyes, his belief in her. He had always thought she was strong. He had showed it in everything he did, in every look and every touch. Simon had faith in her too, yet when he'd held her, it had been as if she were something fragile, something made of delicate glass. But Jace had held her with all the strength he had, never wondering if she could take it--he'd known she was as strong has he was.
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