Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
I read a ton of nonfiction. I tend to read about a lot of very extreme situations, life-or-death situations. I'm very interested in books about Arctic exploration or about doomed Apollo missions. I tend to read a lot of nonfiction that's sort of hyperbolic and visceral. And then I kind of draw on my own personal experiences and my own sort of generic life experience, and I kind of try to feed my day-to-day reality that I have with sort of high stakes reference points that I read about. They're things everyone can relate to.
Everything can be grist for the muse. Sometimes, writers draw on personal experiences. 'Ghoul' was just that.
I believe that you become yourself every single day of your life through your choices and how you think. And that's constantly changing every day... You are constantly changing, evolving through your experiences, how you interpret your experiences, and how you choose to do things in the future based on those experiences... Being yourself means you think with your own mind, and you make your own choices and that makes you you.
All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
I think what happens in a religious life is that we have those experiences of affirmation and that one starts to live a Christian life or a Jewish life or a Muslim life or a Buddhist life, by affirming that affirmation each day. Each day you say 'Yes' to that Yes. So the life of being a Christian for example, is always a life of double affirmation, that you each day say 'Yes' to those counter-experiences of saying 'Yes', even when you're not experiencing them at that time, you're remaining loyal to that experience.
Even under normal conditions, how we can distinguish various events, various experiences, and be able to reproduce it later is, of course, a very interesting question and, I think, one that we face in day to day life.
Personal inspection at zero altitude. The stories come from my life - if not my own experiences, then about topics and subjects that interest me.
Some writers such as John Cheever and Raymond Carver seem to draw artistic energy from analyzing the realm of their own experiences - their social circles and memories and mores. I'm one of those who draw creative energy from the opposite.
If you read a book about school - someone else's book - you always translate it into your own school experiences. It's describing the student: he's bewildered and lost in a large crowd in a university classroom. You'll visualize that from your own experiences. So, everything you know is what you're really writing.
The experience of life that you and I have is pretty much a jigsaw puzzle in the box: Day-to-day experiences of disconnected pieces that don't seem to justify the efforts we make each day.
If just one of [those people] experiences life as a crazy adventure--and I mean that he, or she, experiences this every single day... Then he or she is a joker in a pack of cards.
I'm grateful for the experiences I've accumulated. Of course, there are certain things you wish were not on anyone's list of life experiences, but it's a life. It's a good life. And I like what's there.
To regret one’s own experiences is to arrest one’s own development. To deny one’s own experiences is to put a lie into the lips of one’s own life. It is no less than a denial of the soul.
I get ideas from my own personal experiences, from my imagination, and from my research and from old stories.
I feel like it's been important for me to use my own personal experiences with food and money to help people to not feel ashamed. I felt so much shame about my own experiences.
Somehow, I realized I could write books about black characters who reflected my own experiences or otherworldly experiences - not just stories of history, poverty and oppression.