A Quote by Jeffrey Osborne
I think if you look back at the lead singers that left groups that didn't make it, you'll see that a lot of them were songwriters like Lionel Richie. I mean, they were able to control their own destiny.
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Each member were lead singers from different groups but later we were put together to make DBSK.
Didn't Lionel Richie just make a country album? No one is giving him a hard time... and God bless him - I love Lionel and should be able to do what he wants to do, like Madonna should, too. Both are having success and I applaud them. If you don't like it, don't buy it. The ageism criticism is getting old.
I'm a huge Lionel Richie fan, and sometimes we actually listen to Lionel Richie on the bus.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
I think when hip hop first started, people were open to it, and groups like Public Enemy and there was groups like Poor Righteous Teachers and all these people who were spitting a lot of knowledge, a lot of history, questioning a lot of societal barriers was starting to be super popular.
The way I feel about you, it's like I finally understand what Lionel Richie is singing about. I mean, what we have, it's like movie love.
Face reality as it is, not as it was, or as you wish it were. Be candid with everyone. Don't manage, lead. Change before you have to. If you don't have a competitive advantage, don't compete. Control your own destiny, or someone else will.
These events are swirling around them. In the white community, people felt like they had no control over their neighborhoods, their destiny. In the black community, centuries of government and economic forces were pushing on them. I went in with a kind of arrogance, maybe, that came from living in a very intellectual family, and I left knowing that there was a lot about the way people lived that I didn't know about.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
The Ottoman Empire . . . The rulers in Turkey were fortunately so corrupt that they left people alone pretty much - were mostly interested in robbing them - and they left them alone to run their own affairs . . . with a lot of local self determination.
I think, definitely, I was hugely influenced by - obviously like Adele and Florence the Machine. They were my complete idols growing up. But also, there were a lot of influences from my dad, like singer-songwriters of the '70s like Carole King and James Taylor.
Go back to the Bible, the Old Testament. I mean there were people who we would call intelectuals, there, they were called prophets, but they were basically intelectuals: they were people who were doing critical, geopolitical analysis, talking about the decisions of the king were going to lead to destruction; condemning inmorality, calling for justice for widows and orphans. What we would call dissident intelectuals. Were they nicely treated? No, they were driven into the desert, they were imprisoned, they were denounced. They were intelectuals who conformed.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
Look at what left-wing movements were like in the 19th century - they were all about progress, the engineering of the world, the reshaping of nature, and so on. It's only postwar, really, that people on the left have come to see the environment as a critical issue.
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