A Quote by Jeffrey Osborne

The only real satisfaction is live performances. That's when you can actually get some feedback from what you're doing. You get that artist-to-audience chemistry. I love it!
Most of life is on-the-job training. Some of the most important things can only be learned in the process of doing them. You do something and you get feedback - about what works and what doesn't. If you don't do anything for fear of doing it wrong, poorly, or badly, you never get any feedback, and therefore you never get to improve.
I love the way an Irish man, they can hardly speak proper English, is doing William Shakespeare. So I find that extraordinary as I get older. But I always see music, live shows, performances as moments and to really get there you've just got to actually get into the essence, flesh and the blood.
I don't get stage fright, I actually love the energy, I love the spontaneity, I love the adrenaline you get in front of a live audience, it actually really works for me.
I love doing children's TV. You get such extraordinarily positive feedback from your audience too.
When you actually sit down to write some code, you learn things that you didn't get from thinking about them in modeling terms...there is a feedback process there that you can only really get at from executing some things and seeing what works
When you're filming any show off a live audience, you get a feedback straightaway about how it's going, and the audience always enjoyed it.
I love the idea of finding new talent, however you do it, and the television mechanism - seeing artists grow and rise to the occasion - is a medium that actually works because there's a way for the audience to get to know an artist and for the artist to improve.
I get a lot of inspiration from the audience feedback to our live shows.
I love Twitter. Twitter for me is twofold. I can use it to get out important information about charity stuff and where Im going to be, and I can get feedback from the audience which I love.
I'm ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because you're not only working on a project, but you get to work with cameras, and you get the audience there.
Im ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because youre not only working on a project, but you get to work with cameras, and you get the audience there.
Initially, I had started doing theater, where the actor has a direct relationship to the audience. So, moving into film and television disconnected me. When you do a film, you start to get the character, and then it disappears for a year before it's released and you get feedback.
I'm realizing that the people who criticize what I'm doing, their intentions and comments are not actually real.There's nothing happening in the real world outside of whatever they're writing on the internet. Whereas for the people who feel inspired by what I'm doing, there's something so concrete and powerful in what's happening when they feel empowered. There's actually some kind of growth or self-acceptance, some kind of self-love that's actually being triggered, hopefully. And that's real.
Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided.
Chemistry's a weird thing. You can see actors who are friends in real life but have no screen chemistry. Then there are actors who don't get on but have great chemistry.
I think it's hard to convince an audience of some sort of chemistry if you really don't get along.
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