A Quote by Jeffrey Tambor

I'm really aging myself, but I grew up with 'Playhouse 90' and the plays on the air - 90 minute plays. — © Jeffrey Tambor
I'm really aging myself, but I grew up with 'Playhouse 90' and the plays on the air - 90 minute plays.
I think being really open to this new world of online and what it means to be online. Also, understanding that maybe it's time to let go of the 90-minute experience and realize that all of the content that comes on top of the 90-minute film experience, [that] there's a lot of that, especially with documentaries.
As someone who grew up in Europe, I don't look at TV and automatically think of a primetime network series, created by a staff of writers. I think of 90-minute movies that can break talents out or a three 90-minutes-an-episode mini series that can introduce a fantastic new series like 'The Blechtley Circle.'
It's a 90 minute game for sure. In fact I used to train for a 190 minute game so that when the whistle blew at the end of the match I could have played another 90 minutes.
I used to do covers gigs that would be 90 minutes, with a 30 minute break, then another 90.
One time, I fought 90 fights in 90 days in 90 different places around the world. I didn't even know who I was: about 45 or 50 in, they just kept pushing me, and that's when I really get into a lot of trouble.
In terms of melody, I am really into great 90's melodies. I feel like there was a great focus on melody in the 90's, like 90's pop-hooks and 90's R&B hooks; I just love them.
Yes - 90% of fantasy is crap. And so is 90% of science fiction and 90% of mystery fiction and 90% of literary fiction.
Being a winger or a wide mid, I have to run continuously for 90 minutes, which not only takes endurance but also strength in my legs to be able to be explosive for 90 minutes. I think weight training has really allowed me to sustain for those 90 minutes.
If I can get some time off and still be productive and go 85-90 percent of the plays, that's fine with me.
Every play should be 90 minutes. There would be so many more theatre-goers if plays were shorter.
Would you rather suffer 90 minutes or 90 years? (Regarding a Bikram Yoga session that takes exactly 90 minutes.)
I love Fincher, as he has a great atmosphere and intensity. Also, I grew up watching Hitchcock movies, and there was something elegant in the way he plays with you and plays with the character and tricks you.
I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.
I grew up in Cleveland and started doing plays in high school. And I went to the University of Illinois, and I majored in drama. And after school, I went up to Chicago, because I didn't really know anybody in New York or Los Angeles, and I knew people who were doing plays in Chicago.
Themes on some TV shows are overdone. That 'Playhouse 90' theme music was an example.
I don't write political plays in the sense that I'm writing essays that are kind of disguised as plays. I would really defy anyone to watch any of my plays and say 'Well, here's the point.'
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