A Quote by Jen Kirkman

Improv requires one thing I lack that I think most mothers need - the basic instinct to put someone else first. — © Jen Kirkman
Improv requires one thing I lack that I think most mothers need - the basic instinct to put someone else first.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
We started off in improv and sketch comedy, and with improv the most important thing is to listen and make sure you're not stepping over someone, so we've been trained for such a long time doing that.
The first basic need of a male is sexual fulfillment; for a female, affection. The second most basic need of a male is recreational companionship; for a female, communication and conversation. The third basic need of a male in a relationship is an attractive woman; for a woman, honesty and openness. The fourth basic need of a male is domestic support; for a female, financial support. The fifth basic need of a male is admiration and respect; for a woman, family commitment.
One of the most basic human instincts is the need to decorate. Nothing is exempt - the body, the objects one uses, from intimate to monumental, and all personal and ceremonial space. It is an instinct that responds ... to some deep inner urge that has been variously described as the horror of a vacuum and the need to put one's imprint on at least one small segment of the world.
Our most basic emotional need is not to fall in love but to be genuinely loved by another, to know a love that grows out of reason and choice, not instinct. I need to be loved by someone who chooses to love me, who sees in me something worth loving.
Like every parent, when you start your family, your life completely changes. And you completely live for someone else. I find that the most extraordinary thing. Your life is handed over to someone else. From that moment on, they come first in every choice you make. It's the most wonderful thing.
Understandably, no peace can sustained when people continue to suffer from hunger, lack of jobs, lack of basic public services - and most of all - lack of opportunity or hope.
I think, for East and West, the first thing we need is a good grounding in basic Buddhadharma.
We need to finally accept that all sentient creatures are deserving of basic rights. I define basic rights as this -the ability to pursue life without having someone else's will involuntarily forced upon you.
I think sometimes all you need is to hear someone else say the same thing that you're going through to realize that you're not alone. I try to put some sense of hope into the songs, into whatever the situation is so that it's not just dirt, drudgery and a life of misery.
I have struggled with perfectionism and I think it's a really damaging thing in my own life. When we put that perfectionism on someone else, it just hurts relationships whereas grace and trusting someone else's heart is a really, really incredible and important part of any relationship.
I just don't like the separatism that comes from religion, and, without fail, the need to put your beliefs on someone else. When you start telling someone else how to live, you should check yourself, man.
One thing my old improv teacher taught me is when you're not in the improv scene and you're standing back watching your partners, you ask, 'What does the scene need?'
Very often mothers go to work right away after the child is born and, unless the father or someone else stays home, this is quite serious. A baby has to be near its kin most of the time when he is little for three, four or five years. To give him this grounding, this feeling of connection, this feeling of relationship, is the most important thing.
Any musician - I would say 99% of musicians - needs some help along the way. Most people, even if they're self-produced, have someone else mix it, or they'll have someone else master the record. Inevitably, it's like somebody else's personality being put into your art.
Don't you think it's strange that life, described as so rich and full, a camel-trail of adventure, should shrink to this coin-sized world? A head on one side, a story on the other. Someone you loved and what happened. That's all there is when you dig in your pockets. The most significant thing is someone else's face. What else is embossed on your hands but her?
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