A Quote by Jennifer Hudson
I don't want to work with anyone who has not sat down with me and has gotten to know me. I don't want you writing for who you think Jennifer is or the public persona of because that's not who I am. It's my shell, it's the brand, it's the celebrity, but it's not the person.
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If people didn't know me and only knew my public persona, what I'd want them to know is everything that I do, I do for the Glory of Lord. Because of my Christian faith, that's who I am. I wasn't always that way, but I'm very proud that I am.
I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.
A lot of people mistake the persona that I create in poetry and fiction with me. A lot of people claim to know me who don't really know me. They know the work, or they know the persona in the work, and they confuse that with me, the writer. They don't realize that the persona is also a creation and a fabrication, a composite of my friends and myself all pasted together.
For me, being a public persona, I was always wondering, 'Was a man dating me for who I was? Was there an agenda? Did he want to be seen with me? Am I arm candy?'
Even when I get to the point where I am acting and performing, where I want to be with my career, I'm never going to think of anyone as lower than me. Everyone's the celebrity of their own life, you know?
I want my daughters to see me and know me as a woman who works. I want that example set for them... I am a better mother for it. The woman I am because I get to run Shondaland, because I get write all day, because I get to spend my days making things up, that woman is a better person - and a better mother. Because that woman is happy. That woman is fulfilled. That woman is whole. I wouldn't want them to know the me who didn't get to do this all day long. I wouldn't want them to know the me who wasn't doing.
You show up at high school, there's all these kids you don't know, and you're terrified that people will have some kind of wrong or unpleasant impression of you. You just don't want anything to ruin your public persona, because you actually have a public persona in high school.
If you go on stage, or on TV, then there is an impetus that comes about to be a persona. A completely different character. But when you're someone like me, you don't want to have a persona. I want to be exactly who I am on stage.
Intimacy is important in my work because I don't understand existence without intimacy. All of us are dependent on other people - and in ways we don't know. You cross the street and assume that person isn't crazy, they don't want to mow me down with their car. I don't know that person but I am already in a relationship with them. I am asking them to abide by the traffic laws. If they decided not to, I'd be dead. Even in those anonymous ways, we're in relationships.
I am tired, I want to go home. I want to continue my art work, I want to plant a garden, I want to walk in the forest, I want to walk in the fields, I just want to lie down on the grass and feel the sun against my skin. I want to be able to hold my family close to me and not have someone tell me time's up.
It's still hard for me to understand, what is to me, the morbid fascination with celebrity. I just want to sing, I want to work on my music, I want to make my movies, that's all I want to do. I understand, you know, the interest but I really don't understand the fascination with it.
I don't know if I would want to come back as anything but me. I feel really satisfied. I don't really want to be anyone else. I just feel like I've gotten everything I signed up for as me. I'm happy as me.
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.
I write 100% of my material by myself. That's really important to me because I don't want what I'm trying to say to be diluted by anyone that might not know my circumstance or who I am as a person.
I think Lena Dunham, the public figure, is - I hate the word 'brand,' but I'm going to use it - it's such a brand that is so tethered to her public persona and to 'Girls', but also this progressive politics that she's been more vocal about.
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