A Quote by Jennifer Jason Leigh

I loved being on the set with my stepfather. I loved the magic of movies. I went on the set of 'The Mod Squad' - I mean, can you imagine? Just walking into a living room and then walking behind the living room, and it's just flat. There's nothing I love more than being on a sound stage.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
It couldn't interest me less, the idea of putting a living room on stage. I just think, what's the point of walking into a theater to see a living room? A sofa in a forest? Now you're talking.
I absolutely loved it, and I loved the way the character of D'Artagnan had been portrayed. I was just well up for it. So, I went in and met (director) Toby [Haynes], and as soon as I got into that room, to see how excited everybody was to get this underway and onto the set, it just drew me to it, even more. It was an instant attraction, so I was delighted when I got the offer.
I love walking onto the set and the blindfold is taken off and then everything I do is fresh and in the moment. That's why I loved working with Darren Aronofsky.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
What you write on the page has nothing to do with when you're on set. When you're on set, it has nothing to do with when you're in the editing room. And when you're in the editing room, it has nothing to do with the final movie. You just have to let it go.
I become a better actor after I step on a stage in front of, like, 500 people when it's just me, a microphone and my guitar. You don't get as nervous walking into a room in front of 3 or 4 people and to do a scene or to walk on a set. You gain confidence.
Once I'm on set, the only thing I'm really interested in is being in the room. Being present. And trusting that what I've done is sufficient, and I'm also trusting that I've also left room for magic.
I was more secure being a mother than I was walking on a set.
Any time we have the opportunity to play in a more intimate room, there's such a huge aspect of our set just built for that. And beyond that, we just love being that close to our fans.
I love motion-capture, because you're just free. It's like when you're a little kid, and you say, "Okay, we're the army men. We're going over the mountain." Or, in this case, "We're walking through the swamp" or "Walking through the casino." And it's just a blank room.
You got to always take advantage of getting your room cleaned. You may think it's nice not to have anybody in your room, like your privacy's not being invaded. But there's nothing like walking back into a clean room. You've got to remember that.
Giving birth was the most amazing thing I've ever done. I'd been living in a Third World country, and I said, 'I'm going to just squat behind a tree.' I basically did that but in a chair in my living room. I didn't want a sterile hospital room. I didn't want doctors. I had a midwife.
I really wanted to be a model when I was little. I loved photography, and I loved being on camera. But I was short and chubby, so I couldn't. Anyway, being an artist is way more interesting than just being a model because it's about you and what you want to be. You're not being treated like a clothes hanger.
More than anything I want to get up there and hang out with the audience, make everybody feel like it's fun and they're involved and are just, like, friends hanging out in somebody's living room. I went to see Carole King on her 'Living Room' Tour, and that's the kind of feeling I'm aiming for.
For a while, I loved everything about it, every single aspect of what was supposed to be a job. The training - I loved to train. I loved the traveling. I dug being in the locker room. I didn't mind icing and heat. I dug it. It was like, 'Cool. I'd rather do this than anything.'
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