A Quote by Jennifer Yuh Nelson

We have those new environments [during Kung Fu Panda 3] that give a scale to the movie, that are the spirit realm and the panda village. The spirit realm, having no gravity, having this massive space, allowed us to do huge action shots. All that we just couldn't do before. We just couldn't get the scale, we'd have to cheat them. This time we found ourselves more free.
The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].
We actually tried to put in [Kung Fu Panda 3] all the things we wanted to put into the first two films. We're all the same people who've been working on the other films and we all had things we couldn't do, and had to leave on the table. We just couldn't achieve them before. This time we have multiple new environments and different styles of animation.
You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work.
When you see all of the pandas in this movie [Kung Fu Panda 3], they are rolling because that is exactly what they do. Not only were we able to watch the pandas play but we had free range to walk around and get a feel for the architecture and get a sense of where they lived ,so there's a lot of firsthand exploration.
I liked the first 'Kung Fu Panda.'
I'm not cynical. I cry at 'ET.' And 'Kung Fu Panda!'
A Panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots into the air. "Why?" asks the confused waiter, as the panda makes toward the exit. The panda produces a badly punctuated wildlife annual and tosses it over his shoulder. "I'm a Panda," he says, at the door. "Look it up." The waiter turns to the relevant entry, and, sure enough, finds an explanation. Panda. Large black and white bear-like mammal, native to China. Eats, shoots and leaves.
My producer for the first 'Kung Fu Panda' movie, Melissa Cobb, is an amazing woman. She's supersmart and helps push everyone - male, female, anyone - to do their best.
One of the things we love about Po [Kung Fu Panda] is that he's vulnerable. He's someone that we can all identify with because he has those insecurities. He's an outsider feeling guy.
Oriental DreamWorks did a lot of the surfacing of the village [in Kung Fu Panda 3] and you know all the little paintings on all the gables and everything? They have meaning, and they could do that because they know what that means, we don't necessarily know about that over here.
Qing Cheng Mountain was a direct influence on the mysterious final shot of 'Kung Fu Panda 2.'
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
I think we had to push forward to make sure it was different, do something that we had never done before and yet still have the consistency to stay in the same world. This was our chance to do all the things we didn't get a chance to do before. We've been working on these movies [Kung Fu Panda] for twelve years and we have to keep things exciting for us in order for us to devote that many years of our lives to do this.
When we were first creating the look of 'Kung Fu Panda,' we wanted to pay tribute to the beautiful tradition and culture of China.
A panda walks into a tea room and ordered a salad and ate it. Then it pulled out a pistol, shot the man in the next table dead, and walked out. Everyone rushed after it, shouting "Stop! Stop! Why did you do that?" "Becuase I am a panda," said the panda. "That's what pandas do. If you don't believe me, look in the dictionary." So they looked in the dictionary and sure enough they found Panda: Racoon-like animal of Asia. Eats shoots and leaves.
Po's [Kung Fu Panda] unending enthusiasm is something we wish we could have. We can't help but root for him because of his geek energy.
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