A Quote by Jenny Holzer

I moved to New York in the 1970s and started writing when I was at the Whitney Museum Independent Study Program. — © Jenny Holzer
I moved to New York in the 1970s and started writing when I was at the Whitney Museum Independent Study Program.
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
When I put my big retrospective together in '96 [for the Whitney Museum of American Art, New York], I saw that there were all these pictures of people inside looking out. All these pictures of women in water and mirrors. I don't know what it means.
I always considered myself a songwriter, but I didn't move to New York with plans of doing that; it just sort of happened. Everyone thinks that I moved to New York strictly to play music, but I totally just happened to fall into playing with Woods, and it all got started from there. I just went to New York to hang out.
I moved to New York in 1989 and went to study at NYU.
I moved to New York at 17 to go to school. At 24, I moved back to Ithaca, then moved back to New York at 28.
I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.
When I was 15, I was scouted at the mall by Elite Model Management. I started to go to New York on the bus in high school, which was about four hours door-to-door from my hometown, until I moved to New York and lived in models' apartments all over.
I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.
I grew up in New York, and for the first ten years of my life, we lived across from the Metropolitan Museum. When I was an adult, I moved back to that neighborhood and lived there again.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
That's how I started. I moved to New York City, and I was a makeup artist.
I started acting when I was in high school, started writing when I got to New York in 1975.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
I moved to New York in '92 and got my graduate degree in acting from NYU - they have a great acting program. I graduated in '95.
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