A Quote by Jenny Hval
Everything you do is so personal. In the end, it doesn't matter so much if you write about your own life or not. It's going to be as much artifice when it comes out as a piece of music. Everything is in character in a way. But that's a great thing.
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My music is a personal thing, and I feel like if I talk too much about the songs, or if there's too much of my personal life out there, it ruins it.
When we work on a piece of music, we'll often read the biographies of the composer and learn about what was going on historically and artistically. But I believe that the connection to a piece of music is something much more personal and mysterious than all of these bits of information.
I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.
I don't talk about my personal life in great detail. I write about it in my songs, and I feel like you can share enough about your life in your music to let people know what you're going through.
Early in my career I was much more confident in the almost omniscient powers of a reporter, because you could find anything out and then write the definitive piece about it. And as I got older, I got much more humble about trying to learn everything, with what eludes you, especially with history.
But at the end of the day, the circumstances of your life what you look like, where you come from, how much money you have, what you've got going on at home that's no excuse ... Where you are right now doesn't have to determine where you'll end up. No one's written your destiny for you. Here in America, you write your own destiny. You make your own future.
Directing my own writing, I see that I talk way too much, and everything can happen much sooner, with much less said about it.
There's no one aspect of my life that is more hidden than others. I mean, everything is pretty much an open book in every regard: relationships, personal, business, music, family, problems, demons, everything is well documented.
Well life has a funny way of sneaking up on you When you think everything's okay and everything's going right And life has a funny way of helping you out when You think everything's gone wrong and everything blows up In your face
It doesn't matter what one reveals or what one keeps to oneself. Everything we do, everything we are, rests on our personal power. If we don't have enough personal power the most magnificent piece of wisdom can be revealed to us and it won't make a damn bit of difference.
When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.
Djesse,' essentially, is this spirit. It's this sort of character, very much with some childlike energy, which permeates all of this music... The first album represents kind of pre-dawn, to that moment at the end of the morning when everything's very much alive.
All the great masters in the world have been saying only one thing down the centuries, "Have your own mind and have your own individuality. Don't be a part of the crowd; don't be a wheel in the whole mechanism of a vast society. Be individual, on your own. Live life with your own eyes; listen to music with your own ears." But we are not doing anything with our own ears, with our own eyes, with our own minds; everything is being taught, and we are following it.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
In a given scene I may know nothing more than how it's supposed to end, most of the time not even that. Scenes are improvised. A character does or says something, and with as much spontaneity and schizophrenia as I can muster, another character responds. In this way, everything I write is spontaneous chain reaction and I'm running around playing leapfrog in my brain trying to "be" all my people.
You can hear the profile of a sound, in retrospect, so much more clearly than you did at the time. And I think one of the things that's going to be nauseatingly characteristic about so much music of now is its glossy production values and its griddedness, the tightness of the way everything is locked together.
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