A Quote by Jensen Karp
Nowadays, it's good to eat the booty like groceries, but back then, going down on a woman was sort of "Ew."
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That's right. Uh-huh. Uh-huh," Nick said arrogantly. "You might know karate, boy, but I know gorilla, and I'm a level 40 champion in it. Let's hear it for Diddy Kong! Ew! Ew! Ew! Ew! Ew!" He mimicked the sound of a gorilla as he held on for dear life.
I like Pirate's Booty. Prunes and olives, too. I love hummus. I can eat that until I die. I tend to eat mostly organic food.
In The Deep End, you have a woman who looks like a J. Crew mother who can manage it all. Then we begin to realize what's going on inside. Every time I see one of those women stuck at a stoplight with the children in the back of her car, I sort of think, "What have you just done? What's going on in your life?".
He's not doing anything he shouldn't be doing, right?" "Like what?" "Like hitting on you." "Ew. No, of course not. He doesn't see me that way." Michael shook his head and went back to his coffee. "What? You think he does?" "Sometimes he looks at you a little... oddly, that's all. Maybe you're right. Maybe he just wants you for your blood." "Again, Ew! What's with you this morning?" "Not enough coffee.
My brothers used to call me Bob. They'd laugh at me, and I didn't get it. I'm 13 years old at the time, and then one day my brother's friend says, 'You know what Bob stands for? 'Booty on back.' You're fat.' Like my butt was so big I could reach for my wallet over my shoulder. And I broke down.
I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.
I was in a store in Halifax, Nova Scotia that I love, sort of like an environmental friendly sort of store. But they had a great book section. So I went in there all the time. The woman who worked there - which I feel so bad; I've forgotten her name - she handed me the book and she said, "Hey, you should read this. I think it would make a good movie." I remember reading the back of it and I was like, "Huh." Then I just devoured the book and I was so moved by it and said, "Why don't we start developing this into a film?" So that's how it ['Into the Forest'] all started.
It's like I'll sit down and put my hands on the piano or the guitar, and then I'll hear a sound or I'll feel a chord that will resonate and then I'll get something happening in my voice. My voice is like a car that I get into and drive but I don't know where I'm going. And I record everything. And often, I sort of get into a state, a creative state that is, where I'm just feeling around melodically, and playing things off the top of my head. Then I go back and listen to it and for the first time, hear what I just did. It's like Elvis has left the building while the thing is happening.
There's something peculiar about artists. They have ups and downs... After a while everything you do is just wonderful... then you slide back. If you're a good artist you're going to go down. And then it's up to you.
I know the food groups that I like to have and are good for me and those that I have to stay away from. And so, I don't need to know exactly what I'm going to eat, but I take my insulin probably 20 minutes before I'm going to sit down.
We've been called the soundtrack of people's lives. There have been lots of downs, of course but mostly ups. That EW&F is still clicking at least twenty years on and has a life of its own, that the songs have stayed alive - we're like a good book that people go back to.
This is the very boring part of eating disorders, the aftermath. When you eat and hate that you eat. And yet of course you must eat. You don’t really entertain the notion of going back. You, with some startling new level of clarity, realize that going back would be far worse than simply being as you are. This is obvious to anyone without an eating disorder. This is not always obvious to you.
The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.
After you married, Crispin, she said, my heart was broken. I will not deny it. But I did not slip into a sort of suspended life that would be forever gray and meaningless if you did not somehow come back to me. I put back the pieces of my heart and kept on living. I am not the woman I was when I was in love with you and expecting to marry you. I am not the woman I was when I heard that you were married. I am the woman I have become in the five years since then, and she is a totally different person. I like her. I wish to continue living her life.
Occasionally, fans will ask me to go on their shoulders, and we'll do a sort of Hodor and Bran thing. That's always good fun. But one guy did it, and he really wasn't an expert at picking people up, and I was kind of going sideways on his back holding onto his neck, and then I sort of fell off. But that was fun.
I'm going to go to work out, and I'm going to enjoy it, and I'm going to eat really healthy. But I'm going to go to Vegas, and I'm going to stop at In-N-Out Burger, and then I'll be back on track.
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