A Quote by Jeremy Irons
I have played characters where I haven't been absorbed - you know, what I call a typical film leading man role where you just have to look gorgeous and be attractive and charming. It bores me. I like a bit of dirt, a bit of sand in the oyster.
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Like all girls, when I was growing up, I always worried about this bit of me being too fat or that bit. But I look back at pictures of me when I was young, and I was thin and gorgeous.
My role in life is that of the grain of sand to the oyster-it irritates the oyster and out comes a pearl.
I want to write a score for a film. It can be a proper film, maybe for a film kind of like... I saw that movie 'Drive', or a bit of a 'Blade Runner' vibe. A little bit sci-fi, but I don't know. I've just always wanted to write a score for a film.
I watched what I ate for a bit and did a bit of exercise. I wanted to look alright because I knew I had to take my clothes off and I knew I was starring alongside some extremely attractive women! I think it was Humphrey Bogart who said that the only reason people found him attractive was because of the attractive women he played opposite. So, as audience member you go: "Well, if she would find him attractive, then surely I must too!" Playing opposite beautiful actress of the calibre of Rose Byrne and Anna Faris is amazing - it does a lot of the work for you.
What do you think the Devil is going to look like if he's around? Nobody is going to be taken in if he has a long, red, pointy tail. No. I'm semi-serious here. He will look attractive and he will be nice and helpful and he will get a job where he influences a great God-fearing nation and he will never do an evil thing... he will just bit by little bit lower standards where they are important. Just coax along flash over substance... Just a tiny bit. And he will talk about all of us really being salesmen. And he'll get all the great women.
It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it.
It's unfair but true: youth is attractive, curvy women are attractive, outliers who look a bit different to everybody else are attractive.
I'm a typical dirt racer that wants to go try different lines. When the line goes to the top of the racetrack, I feel like I'm a little bit better.
Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.
I can't save you like that Ty. What you did to me wasn't this brilliant thing, like you think it was. You took me away from everything - my parents, my friends, my life. You took me to the sand and the heat, the dirt and isolation. And you expected me to love you. And that's the hardest bit. Because I did, or at least, I loved something out there. But I hated you too. I can't forget that.
...like a grain of sand that gets into an oyster's shell. What if the grain doesn't want to become a pearl? Is it ever asked to climb out quietly and take up its old position as a bit of ocean floor?
When I look at American history and I look at what history means to me, I look at it as if it were a string of stories. And if it's told well enough and in a way that's charming and warm and with wit and humor, then it takes a bit of the edge off of it. You can still tell the truth, but if you tell it very sweetly and very warmly, it makes it go down a bit easier.
I like to play characters that get to do it all - to have a bit of comedy here and a bit of pathos here and a bit of suspense here, that's what's fun.
I see the role of a rabbi or a pastor in general sort of like the role of a quarterback who throws the ball a little bit ahead of the receiver - that is you want to make people run just a bit to catch up to the message that you offer.
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.'
The role of my agent has just been to get me in the room. If I can get in the room - say the character is just a charming man who lives next door - then I'll walk in there and be as charming as I can and they will think to themselves, 'I don't see why we can't cast him.
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