A Quote by Jeremy Shockey
I don't want to sound arrogant, but the defense might shut me down on one or two out of five plays, but I'll make them pay eventually.
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My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.
Defense usually doesn't make many headlines, but it goes a long way towards winning baseball games. There are a number of ways to make an impact during the course of a game, and playing solid, sound defense is one of them.
We used to establish the run and wear teams down and try not to make mistakes, and we'd rely on our defense to keep us in the game and make big plays to put us in position to win. Kyle Orton might not be the flashiest quarterback, but the guy is a winner, and that formula worked for us.
I am trying to give whatever little fans I have as much information as they want from me. I don't want to come across as arrogant or mean by not telling or giving them what them I want. These are the people who make you a star.
You need to balance arrogance and humilitywhen you buy anything, it's an arrogant act. You are saying the markets are gyrating and somebody wants to sell this to me and I know more than everybody else so I am going to stand here and buy it. I am going to pay an 1/8th more than the next guy wants to pay and buy it. That's arrogant. And you need the humility to say 'but I might be wrong.' And you have to do that on everything
Real big pretty titty, shut down every city. If you want the kit kitty, gotta get the key from me, all new everything, plus pay the rent for me. If we in the woods then these niggas pitch a tent for me.
But I hate the way our identity has changed. We used to establish the run and wear teams down and try not to make mistakes, and we’d rely on our defense to keep us in the game and make big plays to put us in position to win. Kyle Orton might not be the flashiest quarterback, but the guy is a winner, and that formula worked for us. I hate to say it, but that’s the truth.
If you owe money, you can't pay them out. You just pay for everything, you do smart things, you eventually get very rich.
I'm not sure if I should say this, and it might sound arrogant of me, but I think there is a tendency to view female characters as consumer products.
I wonder if any of them can tell from just looking at me that all I am is the sum total of my pain, a raw woundedness so extreme that it might be terminal. It might be terminal velocity, the speed of the sound of a girl falling down to a place from where she can't be retrieved. What if I am stuck down here for good?
Shane talking to Claire - "Hang on - Slow down. I'm not going anywhere. You know that, right? You don't have to put out to keep me here. Well, as long as you eventually..." "Shut up" Claire said.
Curiously enough, the only two plays that I've done very much revision on were the two adaptations - even though the shape of them was pretty much determined by the original work. With my own plays, the only changes, aside from taking a speech out here, putting one in there (if I thought I dwelled on a point a little too long or didn't make it explicit enough), are very minor; but even though they're very minor - having to do with the inability of actors or the unwillingness of the director to go along with me - I've always regretted them.
In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four.
When I give concerts, the tickets sell for five dollars to one hundred dollars, but for my concerts the five-dollar seats are down in front... the further back you go, the more you have to pay. The hundred dollar seats are the last two rows, and those tickets go like hotcakes! In fact, if you pay two hundred dollars you don't have to come at all.
Rookie year you get out there and want to make as many plays as possible, then second year you want to be perfect, and then you kind of find a combination between the two - making a lot of plays and trying to be as perfect as possible.
You might not feel like playing pretty all the time. Instead, you might want to play something nasty....you might want to play something out of context with the tune. It might be a note that creates so much tension it becomes unpleasant, but you want it to sound that way.
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