A Quote by Jerome Richardson
Each instrument has something to say to you. It's got its own character. Each horn has its own character and will say to you certain things. If you violate that, it's almost a sacrilege!
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[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
But, as an actress, you don't want to run into these scenes, willy-nilly. The couple that I did do were important for the character and essential to the plot, to show what was actually going on between each character. It is great to be able to have that, and to be able to say certain things and have certain passions.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
Each character, be it the antagonist or the protagonist, brings with himself his own personality... and I have tried to stay true to each one of them; each is enjoyable in their own way!
I try to keep my voice natural for each character, but the spirit and the cadence and breathing for each character is totally different. It's those things that set each role apart from the others.
I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or about the way they behave, so I guess you can say that that's poking fun at the character. But the character is your own invention, so who cares?
The audience has its own gestalt, and it becomes another character - a character that changes each night.
Not to say that the process assumes anything of "greater" or "lesser" importance, though: it's just more graphic information. Take the surrealists, for example, or a work by Cage. For me, there's a great value in doing this with literature. There's a certain form of dependence; process and product inform each other, depend on each other. I consider myself a writer who doesn't write with a style, almost. I begin with tension, with a vibe, a character.
In nature everything is valuable, everything has its place. The rose, the daisy, the lark, the squirrel, each is different but beautiful. Each has its own expression. Each flower its' own fragrance. Each bird its' own song. So you too have your own unique melody.
How many times can you play an action character, or a quirky romantic? Every actor has to find his own way to make each character unique.
English character and English freedom depend comparatively little on the form which the Constitution assumes at Westminster. A centralised democracy may be as tyrannical as an absolute monarch; and if the vigour of the nation is to continue unimpaired, each individual, each family, each district, must preserve as far as possible its independence, its self-completeness, its powers and its privilege to manage its own affairs and think its own thoughts.
That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.
Each celestial body, in fact each and every atom, produces a particular sound on account of its movement, its rhythm or vibration. All these sounds and vibrations form a universal harmony in which each element, while having it’s own function and character, contributes to the whole.
The Lord Chief Justice of England recently said that the greater part of his judicial time was spent investigating collisions between propelled vehicles, each on its own side of the road, each sounding its horn and each stationary.
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