A Quote by Jerry B. Jenkins
I love inventing worlds and characters and settings and scenarios.
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Instead of inventing imaginary friends, I invented whole imaginary worlds. They were elaborate scenarios about spies and adventurers and top secret missions. I crawled along my swing set, searching for escape routes from my maximum-security prison; I biked through the neighborhood, the wind in my hair and a fleet of evildoers on my heels.
Inventing characters is extraordinary: proper authors say so often that characters 'just appear' and that does happen. These people keep leaping out and saying, why don't you write about me?
Perhaps I abandoned criticism because I am full of contradictions, and when you write an essay, you are not supposed to contradict yourself. But in the theater, by inventing various characters, you can. My characters are contradictory not only in their language but in their behavior as well.
Russell Hoban created a tremendous marriage of characters and philosophy. The plots, the wind-up toy characters, the settings, they all work together to support basically a dark vision that the world is kind of a dump. And we all have to find our ways of surviving in it and of making it a better place. It's a world where we don't have much help, other than what we bring to the table. It's a world in which brotherly love counts more than anything else.
To me, to spend all the time and energy and face all those creative challenges that you would spend for a two hour movie, you're inventing a world, you're inventing characters. If they're interesting enough, they should be compelling enough to go for five more episodes. How incredibly frustrating would it be to just do one movie?
I don't have any simple things. I only have things like a gold-studded leather jacket. Then I'm going to Hawaii and I'm asking myself "Do I pack it? It could be cold." I'm inventing scenarios where I could wear it.
Most people just want to be part of the world, they want to live, love, and enjoy themselves - to take part in the world around them. Whereas artists are always retreating, locking the door, and inventing other worlds.
And now good morrow to our waking souls, Which watch not one another out of fear; For love, all love of other sights controls, And makes one little room, an everywhere. Let sea-discoverers to new worlds have gone, Let maps to other, worlds on worlds have shown, Let us possess one world, each hath one, and is one.
I was always inventing characters and making up stories.
I used to go outside every day and invent these elaborate worlds and scenarios in my head, and when I grew too old for playing pretend, I started to write everything down instead.
'Irma Voth' is my sixth book, but it's only the third time I've featured Mennonite settings and characters.
Even when I have a vintage play, I draw in elements from current scenarios, so that modern audiences can empathize with the characters.
The reason I'm interested in alternative worlds and near-future settings is that it allows us to look at our own limitations in our worldviews. These settings allow me to explore how our world might evolve if we allow individualistic kinds of success to remain our primary value. I'm not trying to be overly bleak, and I don't feel bleak or sad about our world. I want empowered and educated people who understand a lot about the world's challenges to strive to be noble, rather than cynical. I think we still need more champions out there.
The higher worlds are around us. These worlds are not only heavenly worlds, not only worlds of happiness, though paradise and happiness are in them, but they are also worlds that could be terrible for the people, by dangerous facts and creatures.
As far as I'm concerned, the most important thing you need when inventing characters is empathy.
I don't wish to defend everything that has been done in the name of Utopia. But I think many of the attacks misconceive its nature and function. As I have tried to suggest, utopia is not mainly about providing detailed blueprints for social reconstruction. Its concern with ends is about making us think about possible worlds. It is about inventing and imagining worlds for our contemplation and delight. It opens up our minds to the possibilities of the human condition.
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