A Quote by Jerry Della Femina
I don't like to work for politicians because I hate to work on anything that you can't give back if it doesn't work. I sell products. I do a commercial for, say, Meow Mix, and you don't like it, you get your money back. You can return it. Politicians, you can't return. You're with them for four more years. And that's scary.
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But somehow I feel like still it's a gift, and I wonder, how can I give this gift to others? Just work hard, and do whatever I can do, to be that, and to return the love to the fans. I like to give them joy and smiles to them. Give back to them.
Be very careful. Giving because we think we will get something back will not work. You must be 100 percent willing to give and never experience any return, or it will not work.
When these people are going to put billions and billions of dollars into companies, and when they're going to bring $2.5 trillion back from overseas, where they can't bring the money back, because politicians like Secretary Hillary Clinton won't allow them to bring the money back, because the taxes are so onerous, and the bureaucratic red tape, so what - is so bad.
I love all these politicians, they all say the same thing - 'We'll give California back to the people.' Yeah, great, now that it's not worth anything, they want to give it back to us.
The breaks you take from work pay you back manifold when you return because you come back with a fresher mind and newer thinking. Some of your best ideas come when you're on vacation.
I think politicians know how to misrepresent data in order to support a political agenda. Politicians and the people that work for them - I should say - are expert at that.
A manager's most important work is helping the people doing the work. Give them a goal and let them work. Remove any impediments that get in their way. Do anything that make them more effective or productive. Then the organization can capitalize on the fruits of their work.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.
The truth is that cleaning up socks and trying to get someone to really listen to you is marriage. It's less sweep you off your feet and more sweep the kitchen four times a day. Like everything good in life, it's 98% back-breaking work and 2% moments that make the work worthwhile.
I can't be bought with money. If someone calls me and asks me to work for them for three or four years, and they'll pay me well to build their vacation home, I ask myself why I should work three or four years on something like that.
I'm used to politicians being angry with me, you know, because I don't work for them. I work for my viewers.
Most of the producers I work with are decent mixers. We'll wind up in these spots where I'll get the mix back and I'll put a few more pieces of production together and send it back to the mixer. It's so easy to change the entire perspective of the song by changing the mix.
I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
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