A Quote by Jerry Falwell

I think hell's a real place where real people spend a real eternity. — © Jerry Falwell
I think hell's a real place where real people spend a real eternity.
Heaven is real and hell is real, and eternity is but a breath away.
I hate thinking about it, teaching about it, and writing about it. But the plain truth is that hell is real and real people go there for eternity.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
Nothing truly real is forgotten eternally, because everything real comes from eternity and goes to eternity.
To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.
When a song comes from a real story and from a real place I think it comes across to people. That's important.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
If beef is your idea of 'real food for real people', you'd better live real close to a real good hospital.
If beef is your idea of 'real food for real people,' you'd better live real close to a real good hospital.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
With WesTrac, you have real people doing real jobs with real problems and real opportunities, and you touch the metal, and it's like being grounded.
Real people had real agendas, real demands, real expectations about how other people should behave.
I think there are very few people who have a real style, a real personality, and real beauty.
Hell is a real place, more real than the city in which you live, much hotter and more populated.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
I'm a real dude from a real place and I never express myself through social sites. I don't feed into it, man. That's not real life.
This site uses cookies to ensure you get the best experience. More info...
Got it!