A Quote by Jerry Lewis
Don't you understand how dramatic it is to be a comic? To be a fool, to get people to laugh at this show-off? Milton Berle could take Laurence Olivier and stick him under the table if he wanted to. And so could I.
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Yes, it's true, I've been called the Laurence Olivier of spoofs. I guess that would make Laurence Olivier the Leslie Nielsen of Shakespeare.
My character on 'Voyager,' because of the way he was presented, I could go either way. I could be a real buffoon, a windbag, be self-involved, and we could get a lot of comic mileage from him. However, the audience accepted me with gravity when I was in a dire situation, so they would follow me in comic or dramatic stories.
The choreographer for the Milton Berle show wanted me to audition. I walked away from that.
To have a childhood surrounded by people like Sir Laurence Olivier and Vivien Leigh sounds glitzy, but for years I wanted to repress it. I couldn't take that kind of power and success.
In theory, I stick to how I could eat if I lived a thousand years ago. I take processed foods off the menu, and stick to things I could hunt or gather, with more fruits, vegetables, and nuts - and less meat.
Right when I started in show... Milton Berle was my first idol. When I was a kid, I went to see Milton at Lowe's State, and I never laughed so much, and I said, 'That's who I want to be; that's what I want to be.'
I could be an alternative comic. I could be that really dark - I was - I was a very dark comic to begin with. I could be that guy, and the only reason I didn't is that I wanted to make money. I wanted to be popular. I wanted to be liked more than I wanted to be admired.
Milton Berle is an inspiration to every young person that wants to get into show business. Hard work, perseverance, and discipline: all the things you need...when you have no talent.
I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.
I wanted to be Laurence Olivier, basically, to be a great classical actor, and also be able to do modern things.
When I came into the acting profession, it was quite hierarchical. You didn't sit at the same table as the leading actor. Sir Laurence Olivier, Sir John Gielgud... these were very, very intimidating and powerful people.
I always loved how people like Jon Voight and Laurence Olivier shocked you every time they came on-screen. They were so different each time. That's what I hope to do with acting - be the chameleon and not get stuck in a type.
As well might a gnat seek to drink in the ocean, as a finite creature to comprehend the Eternal God. A God whom we could understand would be no God. If we could grasp Him, He could not be infinite. If we could understand Him, He could not be divine.
He wanted to make her laugh. He wanted to sit and listen to her talk about books until his ears fell off. But all these were things he could not want, because they were things he could not have, and wanting what you could not have led to misery and madness.
Milton took vaudeville, which, if you look up 'vaudeville' in the dictionary, right alongside of it, it says 'Milton Berle' - and he made it just a tremendous party.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
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