A Quote by Jerry Saltz

Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
The way for a person to develop a style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that.
When you do not require a person to show up as you imagine you need them to be, then you can drop expectation. Then you love them exactly as they are. Yet this can only happen when you love your Self exactly as you are
A work of art does not need an explanation. The work has to speak for itself. The work may be subject to many interpretations, but only one was in the mind of the artist. Some artists say to make the work readable for the public is an artist’s responsibility, but I don’t agree with that. The only responsibility to be absolutely truthful to the self. My work disturbs people and nobody wants to be disturbed They are not fully aware of the effect my work has on them, but they know it is disturbing.
No greater care is required upon any works than upon such as are to withstand the action of water; for this reason, all parts of the work need to be done exactly according to the rules of the art which all workmen know, but few observe.
The most available example of how poetry works for a poet is yourself, and yet you'll probably be the last one to know exactly how you're serving the art and how the art is serving you.
If we know exactly where we're going, exactly how to get there, and exactly what we'll see along the way, we won't learn anything.
When one person does something that works, everyone else wants to do it. So it didn't surprise me at all to see people come with different versions of 'American Idol' and a lot of them are exactly the same but with different twists.
Think about how many great works of art or game-changing ideas were ahead of their time - their creator's talent underappreciated until many years later. That's how we need to treat our young people - because who knows where the next great idea will come from?
Anything that we know how we do, machines will do better. Now, the key element of this phrase is, "We know how we do it." Because we do many things without knowing exactly how we do them. So this is the area where machines are vulnerable, because it still has to learn from some kind of experience. It needs something - at least the rules of the game. You have to bring in something that will help the machine to start learning. It's like square one. If there's nothing there, if you can't explain it, that's a problem.
Working with actors who are directors is magnificent. Because they understand the art form intimately, and they know exactly how everything works.
NASA is doing nothing but development. They're not doing research in manned spaceflight at all and I see no reason for them to do that because we already know that it will work and we already know exactly how it will work.
I can't tell you how many times we'll run into a journalist and go, "Boy that's...I wish we could be saying that. That's exactly the way we see it and that's exactly the way we'd like to be saying that." And I always think, "Well, why don't you?"
When you get the role, it's 'cause you know exactly how to play it, and they know that the way you're playing it is exactly what they want. I never go with a role and say that I need to change anything about it. Otherwise, I wouldn't take it.
Even if people don't love it, I made exactly the piece of art that I wanted to make. It's super fearless - which is exactly how I feel right now. I am in a really good place.
Some people only work to recorded music because it's so reliable and exactly the same every time, which is exactly why I don't.
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