A Quote by Jerry Saltz
Where Cezanne captured and intensified shards of the eternal (every pear far more sharply defined than it could be in life), Monet portrayed the changeability and flux of every moment. 'The Water Lilies' give you a jittery, amorphous sense of a world seen at the speed of light.
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When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
Life always gives us exactly the teacher we need at every moment. This includes every mosquito, every misfortune, every red light, every traffic jam, every obnoxious supervisor (or employee), every illness, every loss, every moment of joy or depression, every addiction, every piece of garbage, every breath. Every moment is the guru.
Man is merely a frequent effect, a monstrosity is a rare one, but both are equally natural, equally inevitable, equally part of the universal and general order. And what is strange about that? All creatures are involved in the life of all others, consequently every species... all nature is in a perpetual state of flux. Every animal is more or less a human being, every mineral more or less a plant, every plant more or less an animal... There is nothing clearly defined in nature.
At every moment in our lives we need compassion, but what more urgent moment could there be than when we are dying? What more wonderful and consoling gift could you give to dying people than the knowledge that they are being prayed for, and that you are taking on their suffering and purifying their negative karma through your practice for them?
It's a different world because of the Internet and bloggers. Now, every editor is concerned about speed because every minute counts. Speed is more important than content. Whoever gets a review out first becomes the authority.
I write every day, for most of the day, so it's just about turning into metaphor whatever's going on in my life, in the world, and in my head. Every nightmare, every moment of grief or joy or failure, is a moment I can convert into cash via words. I use everything. Turning life into stories is how I make sense of my experience.
Life is not static. If life were static there would be no need for meditation. The mind would do. Then you could think, and whenever, after many lives, you knocked at the door, the girl would be waiting for you. But life is a flux, a movement. Every moment it is changing and becoming new. If you miss a moment, you have missed.
More than anything, the journal wanted. It wanted more than it could hold, more than words could describe, more than diagrams could illustrate. Longing burst from the pages, in every frantic line and every hectic sketch and every dark-printed definition. There was something pained and melancholy about it.
The world, Govinda my friend, is not imperfect, not to be seen as on a slow path toward perfection: No, it is perfect in every moment, all transgression already bears grace within itself, all little children already have the aged in themselves, all the sucklings death, all the dying eternal life.
And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment; it is transient as all moments are; it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name; let us call it the Fullness of Time.
I love Monet: his 'Water Lilies' would look great on my wall. But would I prefer to see money helping kids get better from cancer rather than spending it on a work of art for my own personal indulgence? Yes, I probably would.
There is no dualism in the world of light. The conventions of relativity say that time slows down as one approaches the speed of light, but if one tries to imagine the point of view of a thing made of light, one must realize that what is never mentioned is that if one moves at the speed of light there is no time whatsoever... One exists in eternity, one has become eternal... One is then apart from the moving image; one exists in the completion of eternity.
Everyone knows French artist Claude Monet's "Water Lilies," which he painted in his garden. You find the images everywhere from galleries to dorm rooms and dentists' lounges.
When you expect nothing from the world - not the light of the sun, the wet of water, nor the air to breathe - everything is a wonder and every moment a gift.
The artist had captured a moment that went on suggesting other moments in the mind of the beholder. This, Timmon told me, was what every painter, every singer, every craftsman sought to create.
Time wastes too fast : every letter I trace tells me with what rapidity Life follows my pen ; the days and hours of it, more precious, my dear Jenny! than the rubies about thy neck, are flying over our heads like light clouds of a windy day, never to return more -- every thing presses on -- whilst thou are twisting that lock, -- see! it grows grey ; and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make!
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