A Quote by Jerzy Grotowski
Young artists wish for inspired moments. And you find them; you take them; eager artists are bandits. Theatrical moments arrive, and...you grab. Good! You know it will draw attention to you. But you aim to be more than bandits, no? So, okay...now be Samurai.
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Life is moments going by, but if you don't grab them, they're gone. For a long time, the only moments that were available were bad ones. So now I make sure to grab the good ones.
When artists find other artists that they love to work with, they more than likely will continue to work with them throughout their career.
I always was one who didn't take things for granted. But I think I do appreciate things more now. The small moments of joy that we find each day are so much more precious now than when I looked at them before.
"Every national border in Europe," El Eswad added ironically, "marks the place where two gangs of bandits got too exhausted to kill each other anymore and signed a treaty. Patriotism is the delusion that one of these gangs of bandits is better than all the others."
Before a game, you know, I can take off my helmet, run over there and spend a few moments with someone who is dealing with so much more than I've ever had to deal with and to love on them and care about them and in front of thousands and thousands of people, you know, let them know that they're more important than all of this.
Moments. A couple of moments that people remember, that they can take with them, is what makes a good movie.
A lot of artists have been persuaded into doing whatever they can do to gain attention. The media, of course, will position and promote the worst of them to the front page. The sidewalk to crime becomes the marketing campaign. These artists have seen it work and sell millions and millions of records for other artists.
In poor environment, I find great inspiration. Many of the men and women whom I admire as artists, the things they write, the songs they sing, the admission is filled with inspired moments to overcome oppression.
The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
New artists will be discovered and trained. Moreover, when the artists who've gone abroad return home, they can share and pass on skills and knowledge to their peers here. I am certain their stints abroad will make them better artists and mentors. It will teach them discipline and independence. It will broaden their horizons.
I'm just hoping that, as more black artists take control of the narratives that are out there, more opportunities will come around for artists of colour. We want to make the same waves that the white artists do.
I feel like my strong side is not being technically perfect at the piano, but at curating my own work. It's not painful for me. I don't feel sad when I have to leave things out, put them in the safe, and not have them in public. I realize many artists feel sad about this process, but for me that's the most exciting part: By losing the weaker moments you make the strong moments stronger.
I think of my life as a series of moments and I've found that the great moments often don't have too much to them. They're not huge, complicated events; they're just magical wee moments when somebody says 'I love you' or 'You're a really good at what you do' or simply 'You're a good person'.
The moments of beauty, the moments when you feel blessed, are only moments; but memory and imagination, treasuring them, can string them together... Everything else passes away; that which you love remains.
You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.
I find artists like Tim Barry, Cory Branan, and Jenny Owen Youngs, these current artists that are doing what they're doing now are my idols, my generation's incredible songwriters. I've listened to so much music on the whole ride and I'm inspired by a lot of classic artists, but it's the people right next to me singing songs that are blowing my mind, if that makes any sense.
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