There's this thing in Hollywood about the sympathetic character and likability. I've never understood that because the people I love most in my life are not likable all the time. My wife is not always likable. I'm certainly not always likable. My dad is not always likable. We're human beings.
When you start to prioritize hiring likable people within your organization, these likable people will attract other likable people.
I think I've made a career out of making despicable people likable.
There's such an emphasis on having a character be likable. I don't think it would be helpful if I worried about that. I mean, not everyone's likable.
Well, I think “likability” is an overused word. I don’t watch people 'cause I like them; I watch them because they’re compelling. Sympathetic is a little different... Likable just thins you out. Working to make a character likable is what kills most TV shows.
A lot of the stuff I have done had been not only the likable guy, but like the nice likable guy.
I've always liked TV shows that have slightly unlikable leads, where you root for them in spite of a lot of things. I know it's not common with shows with young people; they have to be so likable. But, I mean, teenagers just generally aren't very likable. I know I wasn't as a teenager.
Even in a crowded room, likable leaders make people feel like they're having a one-on-one conversation, as if they're the only person in the room that matters. And, for that moment, they are. Likable leaders communicate on a very personal, emotional level.
I've got everything against likable characters. Likable characters are usually completely forgettable, and we don't really care. I think we love villains... precisely because they show us these disturbing complexities that I don't think nice characters do.
Novels are routinely denigrated when characters are not found to be likable. Is Raskolnikov likable? Is King Lear? The plethora of such naive readers testifies to a failure of imagination - the capacity to see into unfamiliar lives, motives, feelings - and this failure must, at least in part, be the failure of the teaching of literature in the schools.
In 'UnREAL', for me, just being so openly feminist, just being so overtly, like, 'This show is about women who are not necessarily likable, doing a job that is despicable, and we are not going to be afraid of that.'
I've always just felt like an outsider. I've always been made fun of in school ever since kindergarten. For me, when I started singing, that's when I started making "friends,". That's when people started taking an interest in me. That was the thing that made me likable, I guess. Maybe even lovable! I think that's really why I'm so hellbent on doing this as a career is because those are the moments where I felt at my most confident.
There are so many male antiheroes but not nearly as many female antiheroes.There's a lot of pressure on female characters to be likable. That puts a lot of pressure on women to be likable.
The kind of career that I want is not easy as a lady to manifest, because everyone wants a lady to be likable.
If you start thinking about being likable you are not going to tell your story honestly.
So it was good for me to play a likable person and it was just an amazing situation to be in.