A Quote by Jessica Henwick

It's very hard as an Asian actress to get seen for anything which isn't specifically Asian in England. — © Jessica Henwick
It's very hard as an Asian actress to get seen for anything which isn't specifically Asian in England.
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
A lot of 'Star Wars' fans who are specifically Asian never had a character they could dress up like, or they would, and people would always call them 'Asian Rey' or 'Asian fill-in-the-blank.'
Usually when you're Asian and you're on set, you're the only Asian there. Either you're the token Asian or you're the Asian sidekick.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
I think Anna and the King is a look at Asia from the Asian perspective, reflecting the Asian experience, which is very rare.
When you're the only Asian in the room, the last thing you want to do is to point out you're Asian. And be the Asian dude.
There are no Asian leading men in Hollywood. There's not an Asian Ryan Gosling or an Asian Brad Pitt.
And so it became a priority for me to make sure that all Asian Canadians or Asian Americans or wherever you are, Asian Australians, felt like they belonged.
Nagini should be played by an Asian. Scriptwriter J.K. Rowling probably searched for an Asian actress because she researched the origin of Nagini.
In British TV, if there is an Asian character, there usually has to be a reason for them to be Asian, whereas in America, you have a lot more roles where the person just happens to be Asian.
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
You know, we never grew up with Asian American role models in the entertainment industry, unfortunately. I'd never seen an Asian face singing on TV.
There aren't as many roles, and I think there's a lack of openness in casting an Asian character in a leading role or unless they're a stereotype. It's been hard. I've been able to play some non-stereotypical roles, which is great, but I have a lot of Asian actor friends who are struggling.
I've always been very passionate about trying to have Asian-Americans or Asian faces be more prominent in mainstream media.
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