A Quote by Jessica Stroup
The thing is, I moved tons. I was in like nine schools by ninth grade, so I moved a ton of times when I was younger. As hard as that was growing up, it helped me in so many ways being an actress, because every year I was constantly changing who I was. I could be someone new. I wouldn't care if people judged me or didn't like me because, in the end, I knew I was probably going to move in a few months anyway.
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I was in, like, nine schools by ninth grade, so I moved a ton of times when I was younger.
I was in like nine schools by ninth grade, so I moved a ton of times when I was younger.
I have a few different managers, and one of them hit me up today and was like 'I'm going to set you up with these guys doing beats and such...' I was like cool, as long as I can do what I do. Just because kids are going like this now, I'm not going to do that because I am not 18 years old. I'm not going to rap like I'm in grade three because it's popular. I'm just not going to do that. It's not because I'm being stubborn, and I definitely not that guy that is getting older and does not understand the younger generation.
I am the first one in my family to go to college and I felt a great responsibility when I was at school, because my family was making so many sacrifices for me to be there. I was raised by a single mother, my grandmother got on the plane and helped me move to New York and moved me into the dorm. It was just a big moment, and, yes, it was my dream to be an actress, but also I didn't want to let them down.
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
Growing up in Iowa, there weren't many people who looked like me. And then when I moved out to L.A., every guy in comedy looked like me.
When I first moved to New York, I moved all over because I never knew where I would be or if I was going to Europe, so I would sublet apartments. It was miserable because I was constantly moving.
I moved to the States, and that was a big thing for me. I moved to Miami, and I joined the Blackzilians. For me at the time, it seemed like the best logical solution, but sometimes surrounding yourself with new people is not good.
I failed eighth grade twice, and then they moved me up to ninth grade. Then I failed that and dropped out. My teacher would hand me a test, and I'd grade it myself with an F, then put my head down on the desk.
I studied in New York. I fell in love with an Australian-born, half-Filipina girl. So we moved to Australia when she went to her university and I moved with her. We moved to Montreal because she was going to take her year abroad, and I wanted to see if I could keep on writing there. It's really hard to make it as a writer in the Philippines.
To hear people saying, 'The music you are doing has really touched my life and it's moved me in a lot of ways. It's helped me get through some tough times.' That's the best compliment that you could get.
Because if I am someone else for so many months, it affects me, physically, in my brain, in my being. So then I have to take care of that, and make myself more like me again.
Relative to most people I know, I am comfortable just about anywhere. I went to 20 schools before the 8th grade because my father couldn't hold a job. We moved every six months. I had to adjust.
The best way I knew how was to give 110% and want it more than them, and walk on the court and every moment of the match feel like it was the end of the world, in a sense. So that worked for me in a lot of ways. There were times that it hurt me, but for the most part, it helped me.
I have three boys. And I wanted to make sure it connected with them and then those guys who grew up like me, in environments like me.And then I knew something about science that your New York Times reader would be interested in. So I was thinking about it in multiple ways: I'll connect with the people who grew up like me first, and then the New York Times reader will be interested in the science because it's so good and they want to be "in the know."
You remember what you go through as a kid, what's going to make you listen, what's going to make you respond. I held onto that. People who treated me like that when I was younger got every bit of respect and attention I could give them, because I knew that they were coming at me from almost an equal level.
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