A Quote by Jessica Williams

As an executive producer, I feel really lucky. — © Jessica Williams
As an executive producer, I feel really lucky.
When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
Being the executive producer of a film is not that difficult. It just means that you have some power. There's not a huge amount of skill involved, I don't know how much I'm giving away here. I feel like that guy on Fox, giving away the magicians' tricks. It's not rocket science, being an executive producer of a film.
Jerry Bruckheimer really is an executive producer, who obviously is the most successful producer in the history of film and television.
Let me tell you about being executive producer. It is not a job, it's a title. Don't go around asking executive producers what they do because they don't do anything, alright?
A producer is someone who actually calls the shots. An executive producer is just a guy that eats more food at craft service.
I really liked 'Super 8'. If Steven Spielberg is an executive producer of anything, you know that it's going to be amazing!
I don't know for a fact, but I feel fairly certain that the first person who described a movie as 'character driven' had to have been a producer or studio executive.
I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.
Everybody is looking for a hit single but what the artists really need is an executive producer to help put better albums out.
I'm lucky. I don't have to produce the whole movie. What I've been doing is just coming up with ideas for movies. I write a concept, a treatment, an outline, and if I sell that to a studio, then someone else does the actual production and I go on to another project, although I keep the title executive producer.
Earlier in my career, I needed to be the writer, casting director, set designer, leading man, and producer. I've been eliminating a lot of those jobs. I'm an executive producer right now. I still get to pick the best screenplays.
And often when things turn to TV series there are so many different people with different agendas that things can morph. And so, you know, that was why having the executive producer title was important to me because even if I was the star and I had a concern, you know, that concern would only go so far. But having the title of executive producer actually makes them have to actually listen to me complain.
All I ever really work for is to be a really good engineer, a good producer, a good executive, good in the world of Beats. That's power to me.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
I'm an executive producer.
I never doubted that if I applied myself and tried to learn that I would good at it. I've had a lot of lucky turns, no doubt. But it's actually been a fairly direct line from control-freak, cartoon-obsessed kindergartner to control-freak, cartoon-obsessed executive producer.
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