A Quote by Jessie Vargas

I'm from the hood. You put me in a rough neighborhood and believe me, I'm OK. — © Jessie Vargas
I'm from the hood. You put me in a rough neighborhood and believe me, I'm OK.
As of late, 'Boyz n the Hood' really impacted me because I grew up in that same neighborhood. It was the first time I saw a true reflection of me, my neighborhood and my surroundings.
In the neighborhood where I grew up, it was a rough neighborhood - well, not rough, but it certainly wasn't upper class or anything. But I remember hearing things like, 'The little man just can't get ahead.' And if you start to believe that, then you know what? You don't get ahead.
With me, I always try to give my all to my hood, put my hood on my skin, man. I love it.
I'm from my hood, and everybody knows me in my neighborhood, and that's cool, I can do what I want over there, but in other people's neighborhoods, I can't.
Believe it or not, I thank my mom for how she raised me in a neighborhood daily to jump and chase me. It only made me what I am today.
It's been rough for me trying to find my position in the struggle and where my voice is needed and helpful. You know, I grew up in Philadelphia, and Philadelphia has a really rough police-brutality history. I grew up in a neighborhood where it was very clear that the police were "them" and we were "us".
What I want to do right now is give hip hop back to the hood. Before it was a neighborhood thing where it belonged to the hood and the rappers were reporting and there were rules and parameters. Now it seems like the artist's game.
I grew up in a rough neighborhood, so I fought a lot. Even when I was wrestling, if I lost a match, I always thought, That guy would never beat me in a fight.
When I first started rapping, I was just doing it for the hood to notice me - the hood fame - just to get people's attention around the city, to make me a little show money. But then music became my passion, it got real serious.
I'll believe I made it when I'm 100 years old, I'm still able to get work, and they're about to put me in a coffin, and I'll be like, 'Yeah, OK, it went all right.' But until then, I'm not saying it.
If you have an all-white neighborhood you don't call it a segregated neighborhood. But you call an all-black neighborhood a segregated neighborhood. And why? Because the segregated neighborhood is the one that's controlled by the ou - from the outside by others, but a separate neighborhood is a neighborhood that is independent, it's equal, it can do - it can stand on its own two feet, such as the neighborhood. It's an independent, free neighborhood, free community.
I remember where I was when I first heard 'Boyz N The Hood' - 126th Street and Normandy, South Central, Los Angeles. I remember that I was on my porch. What they described in that song was so vivid and so clear to me because it was the kind of life I was used to witnessing and partly experiencing in my neighborhood.
Tom Bradford is a lot like the real me. He's a man who always put his career second to his family. As long as everything was OK at home, he was OK, too.
If people say harsh words to me though, I don't care. It's a risk to my life. The Taliban don't want us to be working, so they'll shoot us. And women who break their rules, they put acid on them. I said, if they shoot me, OK, but if they put acid on me, I will be alive as a dead body. I was always so afraid of that.
I've stayed put in the neighborhood where I first got my start and will never forget the people that believed in me and gave me my first chance.
I grew up in the hood in Miami in a poor neighborhood.
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