A Quote by Jill Scott

Balancing is hard. I've lost roles that I really wanted because I had set up a tour. I cancelled tours to do roles before. But I have to find the time to make that up to my audience. I made a commitment to them.
I wanted to build up a little nest egg and go back to L.A. and choose roles that I wanted to do instead of roles that I had to do to pay the bills.
I've actually got turned down for a lot of roles because I'm not bubbly enough. People have told me to be more 'up', but I can't, really. I find it hard to be smiley and giggly all the time.
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
The 'Family Ties' role was the first of many gay roles that I've ended up playing. I remember that I made them laugh, and it made me feel good, 'cause it really cracked them up.
I always think it's hard for any young actor to make that transition to more grown-up roles. Because you don't want to alienate your audience who has been supportive of you for so many years, so you kind of have to tiptoe through that process.
I could play Arab roles, even German roles, Italian roles because I had that look.
Being an actor, I feel I need to take up challenges and do different roles without thinking about whether the audience will accept me in those roles or not.
If we can give up attachment to our roles as helpers, then maybe our clients can give up attachment to their roles as patients and we can meet as fellow souls on this incredible journey. We can fulfill the duties of our roles without being trapped by over-identifica tion with them.
Coming out of 'Spy Kids,' I immediately wanted to do more grown-up roles, and I was turning down a lot of the kind of younger, cheesier roles.
I've had to fight for roles and I've lost a hundred roles, but 'Smoking' and 'Smith' were phone calls. That's the dream.
I had been playing really interesting roles before I got great roles. Little ones - 'The Crying Game' I loved working on, and then 'Bird,' 'Ghost Dog,' so many films.
After 'Entourage,' it completely opened up my casting within the industry. People saw me for a lot of roles that I hadn't been seen for before. Older roles. I went out this pilot season for a lot of lawyers and doctors. And cops - which I haven't quite mastered yet; I find that quite difficult.
I always had acting work when I needed it. I think that is why, when I watch films or TV series in America, I find in small roles or in supporting roles really amazing faces, where I have the feeling these people have actually had a life outside of acting. I find it almost a pity that I've never done anything else.
I don't want to do 'Hamlet.' I don't want to do Robert Redford roles or Mel Gibson roles or Kevin Costner roles, because I'm not going to be good at them.
I find that I relate to most of the characters that I play on a really personal level, just because we're the same age, we're girls, and we're growing. I can find myself in those roles, so it makes it easy to connect to. But all of them are their own person - they're all hard to understand and hard to figure out, just like I am.
There are enough roles for everyone, and I truly believe that the roles that we end up doing are the exact ones that are right for us at that time as people and as actors.
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