A Quote by Jill Soloway

I've always been really interested in how people's identities are shaped by where they come from and how they want to get away from where they come from. — © Jill Soloway
I've always been really interested in how people's identities are shaped by where they come from and how they want to get away from where they come from.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
Come away with in the night Come away with me And I will sing you a song Come away with me on a bus Come away where they can't tempt us With there lies I want to walk with you On a cloudy day In fields where the yellow grass grows Knee-high So won't you try to come Come away with me and we'll kiss On a mountain top Come away with me And I'll never stop loving you And I want to wake up with the rain Falling on a tin roof While I'm safe there in your arms So all I ask is for you To come away with me in the night Come away with me.
As a novelist, I have always been interested in how people come to terms with difficult, life-altering events.
I've always been interested in pandemics, where they come from, how they arise, and the key feature which really fascinates me is that the biology of the bug is the least of it.
I've always been interested in the manufacturing of narratives, identities, and ideologies, and how they are embodied and negotiated by viewers.
We were thinking about how other people deal with this career on every song. We got to meet people like Thom Yorke and hear him say how it's never normal when fans just come up to you. It's always a strange job. We don't want to come off like we're pitying ourselves for having this job because it's really amazing in a lot of ways. But there's a lot of stuff that comes with it that we're not really comfortable with.
When I was making a shift... from one thing to another I didn't want to be answering questions: 'How come you're doing this?' 'How come you're doing that?' so I didn't allow anyone in my studio and I just worked away in there.
President [Barack] Obama has talked about fundamentally transforming this country. There's 7 billion people across the face of the globe, many of whom want to come to this country. If they come legally, great. But if they come illegally and they get amnesty, that is how we fundamentally change this country, and it really is striking.
One thing I've learned in my career is that you don't have to answer people right away. I've learned how to say, "Can I get back to you about that?" Now I've given myself time to really assess what you asked me to do or what the situation is, think about it, then come up with a plan. Then by doing that, when I come back to you, it's not what I say it's how I say it.
I've come to embrace the notion that I haven't done enough in my life. I've come to confirm that one's title, even a title like president of the United States, says very little about how well one's life has been led. No matter how much you've done or how successful you've been, there's always more to do, always more to learn, and always more to achieve.
I'm always interested in how people, myself included, have ideas of themselves, of how they thought they would be, or of how they want to be seen. And the older you get, the world keeps telling you different things about yourself. And how people either adjust to those things and let go of adolescent notions. Or they dig in deeper.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life. ... whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
I don't care how much people understand what it is that I'm doing, except if they're players in my ensemble or other ensembles. I just want people to be moved by the music. If you're not moved by the music, then everything else falls away. You're not interested in the text, you're not interested in how it was done, and you're not interested in interviewing the composer and all the rest of it.
Most of the guys I've come across in the UFC have always been really polite and are always friendly with each other. We all understand how hard it was to get where we're at and how hard it is to stay there, so it's a mutual respect for each other.
I always have to have the new gadgets and stuff when they come out. I'm not really interested enough in learning how they work.
This site uses cookies to ensure you get the best experience. More info...
Got it!