A Quote by Jillian Hervey
I love a lot of the '70s singers: Pam Grier from the 'Foxy Brown' movie, Diana Ross, Tina Turner. They've always been able to embrace their hair, and they've never been afraid to take risks and go all out and make it thick and fun and a statement at the same time.
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When we talk about my music, it's a cross between Tina Turner, Alanis Morrisette, and Diana Ross. It's the glamour and the showiness of Diana Ross; the ferociousness and pain of Tina Turner; and the vocals of Alanis.
I've always idolized Diana Ross's hair. Why not have fun, big curls? You see the same sleek waves everywhere.
I love Tina Turner. I'm one of Tina Turner's biggest fans. Tina Turner was a big influence on me to become a singer. A role model and in a way she gave me back my confidence in choosing my material.
You can always tell where Diana Ross has been by the hair that's left behind!
I usually listen to various kind of singers. Curtis Mayfield was my favorite. James Brown, Tina Turner, queen of soul, I started to get that musical essence from that time before I even do my first song.
There's people saying that 'Jackie Brown' was a blaxploitation movie, when there's nothing at all blaxploitation about it other than Pam Grier being in it.
I would tell myself, "Love yourself and don't be afraid to take risks." I was often afraid to take risks, socially, because I was young and a little more shy and still figuring out who I wanted to be. Sometimes I look back and think, "I should have just been bolder and more confident."
I grew up watching those blaxploitation movies. Ron O'Neal, Richard Roundtree, Jim Brown, Pam Grier. For the first time, I saw 'The Negro' get one over on 'The Man.'
I really like Pam Grier's whole 'Coffy' aesthetic. It's just natural. It's not even anything that they were overdoing back then. I really like that natural beauty kind of thing. But at the same time, I really like thick, winged eyeliner.
I think I've been very fortunate, considering the obstacles that I had to deal with, you know, just being - by virtue of being a brown, lovely, brown-skinned man. But on the other hand, I've been able to make a good living, and I've been able to take care of my family, which is most important to me.
If I'm on form and I'm not being bothered too much by mental problems or whatever, I can whip out something good. That's why I've done quite a few overdubs for Tina Turner and things like that, because even before she made this comeback I said yes to her, just because I love Tina Turner.
I would love to do a biopic of a famous singer, like Diana Ross or Donna Summer, or an old jazz story that we haven't seen before. I would love to do that! I would love to play Diana Ross 'cause she's an icon. I'm salivating to do that.
Other than the obvious, like Cher and Diana Ross, I actually find a lot of inspiration from time periods. So it's not necessarily people, it's the essence of the time period, whether it be the '90s or the '70s or the '40s. The specific time and what vibe it gave you, what the emotion of that time was, and trying to get that emotion again.
I always loved James Brown, Diana Ross, Aretha Franklin, Sam Cooke.
I'm a little Jewish girl from Long Island, but when I listened to Tina Turner, I pictured myself in a mini-dress, dancing like Tina Turner. It's inevitable.
I love a good lyricist - always have. The thing that inspired me most was the different performers, like Tina Turner, James Brown, Michael Jackson, Madonna, even Janet Jackson.
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