A Quote by Jim Gaffigan

That's why when I send a postcard I quiz people. "Hey, did you get that postcard?" "Yeah, yeah yeah." "Well what'd I say?" "Uh, you were havin-" "I was in jail" — © Jim Gaffigan
That's why when I send a postcard I quiz people. "Hey, did you get that postcard?" "Yeah, yeah yeah." "Well what'd I say?" "Uh, you were havin-" "I was in jail"
Yeah, I'm obnoxious, yeah, I cut people off, yeah, I'm rude. You know why? Because you're busy.
A couple of years ago, I went to see a production of Wicked in San Francisco with a friend of mine, one that Patty Duke was in, and he said, "Do you want to meet her?" And I said, "Yeah!" And I went backstage, and she walked out of her dressing room, looked at me, and said, "I know you." And I went, "Well, uh, yeah, I was in My Sweet Charlie." And she said, "Yeah! You were the guy in the car on the road!" And I was. It was amazing.
Remind me again what's wrong with Dave Matthews?" "Basically everything, except technical proficiency," Walter said. "Right." "But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.
Irish music is guts, balls and feet music, yeah? It's frenetic dance music, yeah? Or it's impossibly sad like slow music, yeah? Yeah? And it also handles all sorts of subjects, from rebel songs to comical songs about sex, you know what I mean, yeah? Which I don't think people realize how much innuendo there is in Irish music.
[Regarding President Obama] Yeah, yeah, yeah, I talked to him. I sorta, I guess, helped him get elected.
I was at the AMC Century City movie theater with my mom, and we were walking through the lobby, and these girls came up to me, and they said, 'Are you Dallas from 'Austin & Ally' - and I was like, - yeah, yeah. And they were like, 'Can we have a picture with you?' and I was like, 'Yeah sure of course.'
Yeah, yeah, yeah, time travel's a nightmare. Don't go down that path.
I read 'Fences' when I was about 30 and I thought: This is too sad.' But you get older and you start to go, 'Yeah, yeah, this is like life, why wouldn't I want to do it?'
Rorschach: Used to come here often, back when we were partners. Dreiberg: Oh. Uh, yeah... yeah, those were great times, Rorschach. Great times. Whatever happened to them? Rorschach: [exiting] You quit.
Yeah, well, I’ll be glad to birth it if it means I can name him something normal. (Zarek) Yeah, yeah. This from a man who whines like a two-year-old when he stubs his toe. I’d like to see you survive ten hours of childbirth. (Astrid)
Were you already here?" he asked. "Yeah." "Didn't you just bring her home from work two hours ago?" "Yeah." Tripp chuckled and shook his head. "Did you even leave?" "No.
With Mel [Brooks], only one time and that was later on during "Young Frankenstein" - never with Zero [Mostel] and never with Mel except I was writing every day, and then Mel would come to the house and read what I'd written. And then he'd say, yeah, yeah, yeah, OK, yeah, OK. But we need a villain or we need whatever it was.
There are a lot of people who say, 'Yeah yeah, I'm a feminist,' and they're not, actually. I wouldn't want to throw that word around, because it's a very strong thing.
Hey, does my stupidity give you the right to bruise a tender heart?" "Yeah, yeah. I'm bruising a heart made of Play-Doh.
I think I'm most well-known for 'Yeah.' The word 'Yeah' and my voice.
When I go to a restaurant, yeah, I know that a line is probably going to form in front of the table, but didn't I always wish for that? Yeah, I did.
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