A Quote by Jim Gaffigan
I left the Midwest thinking I didn't fit in. But when I got to New York, I realized how truly Midwestern I was.
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There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
Growing up in Europe, tight clothing is pretty standard. When I got to college, clothes were loose, so I was going toward more loose stuff. As soon as I got back to New York, I started wearing suits 25% of the year. Then, I realized how important it is for the suit to really fit you and be tight.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I was thinking about New York and realized how much I hate walking around in the winter and how much I dread getting on the train.
I was a good amateur but only an average professional. I soon realized that there was a limit to how far I could rise in the music business, so I left the band and enrolled at New York University.
I went to grad school in San Francisco, and then left for New York City with my eye on Broadway. I had saved $5000, which seemed like a lot of money in my mind... until I realized it was going to take $2500 to get to New York and then the first and last month's rent.
Midwestern Jews is a different community, is a different thing than New York Jews, L.A. Jews. It's just different. It's the whole Midwestern thing.
When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
But now, today, we don't know if Over the River is truly the next project to be realized, because something very nice happened to our life in November in New York.
People ask me all the time how I got hired onto the Office. Another common question is how do I manage to stay so down-to-earth in the face of such incredible success? ... A third frequently asked question is: "Girl, where you from? Trinidad? Guyana? Dominican Republic? You married? You got kids?" This is mostly asked by guys on the sidewalk selling I LOVE NEW YORK paraphernalia in New York City.
Chicago - it's the Midwest, and the people are not as tough or not as edgy as they are in New York.
I love New York for being New York. I love L.A. for being L.A. But when it comes home, I'm a Midwest, South type of dude. I like open roads, I like to drive, and it may not be as fast, but it's definitely a place where you get to appreciate a lot more. Not saying that you don't up here, but that's not what I'm accustomed to.
I love New York, and I'm drawn to a certain intensity of life, but I've just never felt like I want to escape from the Midwest. A writer lives a great deal in his own head, and so one intuitively finds places where your head is more clear. New York for me is one of those places.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion.
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