A Quote by Jimmer Fredette

You've got to kind of speak things into existence if you really want them to happen. — © Jimmer Fredette
You've got to kind of speak things into existence if you really want them to happen.
Nothing is harder, yet nothing is more necessary, than to speak of certain things whose existence is neither demonstrable nor probable. The very fact that serious and conscientious men treat them as existing things brings them a step closer to existence and to the possibility of being born.
You speak things into existence, but there's a gift and a curse with that. You got to be careful what you say.
I was a really, really serious kid. And a really kind of controlling kid. Like I had things that, now, people would say are like - there's a name for many disorders as we know - but I would say, "If I pick this rubber band, then this will happen." It was that kind of want to control things, which I think all kids have to some extent.
Now what kind of an attitude is that, 'These things happen?' They only happen because this whole country is just full of people who, when these things happen, they just say, 'These things happen,' and that's why they happen! We gotta have control of what happens to us.
I remember going, "I'm really excited about this - I really want it to happen. It would be a wonderful opportunity." But if something doesn't happen, then it doesn't happen. My mother and father sort of raised me to look at things that way.
What did he have to mope about, really? What more did he want?...Love. Purpose. Those are the things that you can't plan for. Those are the things that just happen. And what if they don't happen? Do you spend your whole life pining for them? Waiting to be happy?
I don't know why this is, but I really believe that things don't happen when we're trying to will them into being. They don't happen when we're waiting for the phone to ring, or the email to pop up in our in box. They don't happen when we're gripping too tightly. They happen - if they happen at all - when we've fully let go of the results. And, perhaps, when we're ready.
I usually start with an ending, then outline high points of things that happen, and kind of make up the rest as I go along. Occasionally, the characters surprise me, and I wonder how we got here. Other times, the characters are stubborn and won't do something I want them to in the story.
The truth is that many powerful guys have fooled around while working for the people. Dwight Eisenhower, John F. Kennedy, and Warren Harding to name just a few. Grover Cleveland even fathered a child outside of marriage. We all know these things happen. But we don't want them to happen - at least most of us don't. I can't speak for San Francisco.
Things that happen in Wyoming are things that wouldn't happen in a big city - we've got bears, we've got a lot of shotguns - in Absaroka County, everybody's got a shotgun in the back of their car!
Violence against women and lack of intervention and man's inhumanity to man and this kind of atrocities are going on. These are big issues of our times, we must speak about them, we must learn how to better understand how these things happen so we can address them.
With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
True story - I had index cards; I would write things on them and post them on the mirror in the bathroom. And I would speak it. Because you have to speak life. You have to speak what you want. You have to watch what you say because it's power in your tongue.
I don't think there is any kind of magic about what I do. All of the connections are there, somewhere in the subconscious or in the collective unconscious. If I let the elements speak to each other, then these coincidences will happen. And they do happen. They happen all the time.
I don't want to sit around and hope good things happen. I want to make them happen.
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