A Quote by Jo Brand
Usually, what people in the public eye do is pick two charities and just exclusively work for them. But that means you have to turn people down all the time, so I try and do something for everyone that asks me, at least once.
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I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
I always try to make everyone mellow down, make sure everybody's happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
When I do a workshop, there is always at least one author who comes up afterward and asks if I'll take a look at his or her book and consider blurbing it. For some reason, I can turn someone down in e-mail, but when he or she is looking me in the eye, I cave.
If, two people have good minds and they're looking at problems, if they agree all the time it means one of them is not thinking. If they disagree all the time, it means one of them is not thinking. They're just allowing their political position to dictate their position on an issue. And I think that's unhealthy. And the public knows better.
I have much respect for the people that I work with, and it's reciprocal. My shoots are always very calm. Everyone has their work to do, and we try to respect everyone's work and give them the time necessary. There's never any tension. That's something that helps to attain the simplicity that I'm looking for.
I wouldn't say I'm the anchor, I'm the one person who sees everyone at work - I don't get to see a lot of people outside of work too much because I'm there all the time. Everyone asks me "how you doing, have you slept?" so I know I'm working long hours.
If marriage isn't something for me, but I like living with someone or being committed, I can choose this other path as long as she's okay with it but I would hardly say that that should be what other people do. Some people want that, that written paper, that commitment and that means something to them. And I don't in the least look down on it.
The word "metaphor" means carrying something from one place to another . . . and it is when you describe something by using a word for something that it isn't. This means that the word "metaphor" is a metaphor. I think it should be called a lie because a pig is not like a day and people people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining and apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about.
I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.
I'll only pick up my guitar if something is knocking on the door. Once the melodies have sort of been bothering me for a time, then I pick up my guitar and try to find them. But only if they want to be found.
Just the life of doing what I do, being in the public eye, it's a stressful environment... You feel strange, self-aware, very foolish. Your third eye clicks on, just to try to maintain a healthy sense of perspective, and you think, 'What am I doing here? I'm just making a movie, and people want all these things from me.'
I view people two ways. They're either eye-for-an-eye people or they are turn-the-cheek people.
I love just going out and sitting down in the park along with the thousands of other people who apparently have no work to do during the day. People come up to me, but they are generally really nice. New York makes it easier, for me at least. People manage to be enthusiastic and sort of sane at the same time. And that’s lovely.
Everybody stumbles across a golden opportunity at least once in a lifetime. Unfortunately most people just pick themselves up, dust themselves down, and walk away from it.
I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.
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