A Quote by Joan Hickson

I watch these old films in black and white, and suddenly the door opens, and there I am. The other day, I was wearing the most awful hat. — © Joan Hickson
I watch these old films in black and white, and suddenly the door opens, and there I am. The other day, I was wearing the most awful hat.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
None of us are good or evil, and that frustrates us because we want to see others as wearing a white hat or black hat. My hat is grey.
U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.
I will continue wearing the white hat and black mask until I ride up into the big ranch in the sky.
I`ve got a black woolen hat and it`s got Pervert written across the front of it. It`s the name of the clothing label. And I was with my wife and my baby at the supermarket and I didn`t think. I just put my hat on Clara`s head, because it was cold. And the looks. I couldn`t figure out why I was getting death looks. And then I realized my 10-month old baby`s wearing a hat with the word Pervert written on it and these people were like, `There`s Satan! There`s Satan out with his kid!` And then I made a point of her wearing it every time we went there.
We had this terrible thing, this awful thing with 'Black and White' happened, where the design of 'Black and White' was actually... was hijacked by the fan sites. Because what happened is, there were so many fan sites on 'Black and White,' the hype on 'Black and White' was just ridiculously huge. It was completely out of our control.
Perhaps I am old-fashioned, but black and white films still hold an affectionate place in my heart; they have an incomparable mystique and mood.
I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
Why should it happen that among the great many women whom I see and am fond of, suddenly somebody I meet for half an hour opens the door into poetry?
My mom loved the old black-and-white films.
I still like to see that a man opens the door. I like those touches of chivalry that are fast disappearing. If I sound old-fashioned, it's because I'm as old as I am! But it's just polite.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
It's going to be a rule, I think, for wearing a crash hat, and I actually fractured my skull through not wearing a hat. I was so lucky to escape from that, and now, it's something I always do.
I love old Hindi songs, black and white films.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
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