A Quote by Jodi Picoult

Fiction allows for moral questioning, but through the back door. Personally, I like books that make you think - books you're still wondering about three days after you finish them; books you hand to a friend and say "Read this, so we can talk about it."
When you talk to people about the books that have meant a lot to them, it's usually books they read when they were younger because the books have this wonder in everyday things that isn't bogged down by excessively grown-up concerns or the need to be subtle or coy... when you read these books as an adult, it tends to bring back the sense of newness and discovery that I tend not to get from adult fiction.
The books we think we ought to read are poky, dull, and dry The books that we would like to read we are ashamed to buy The books that people talk about we never can recall And the books that people give us, oh, they're the worst of all.
And tell them all about the books you've read. Better still, buy some more books and read them. That's an order. You can never read too many books.
Kids not only need to read a lot but they need lots of books they can read right at their fingertips.They also need access to books that entice them, attract them to reading. Schools...can make it easy and unrisky for children to take books home for the evening or weekend by worrying less about losing books to children and more about losing children to illiteracy.
Personally, I don't pick books for how people think about me. I read books so I can learn.
My books are written from the heart, to entertain: they're books I would like to read. Because of that, when I meet people who like them, we have so much to talk about!
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
I still don't think I've ever read a Nancy Drew book; I probably read three or four 'Hardy Boys' books when I was 10, 11, 12, and I didn't love them at the time. Even then, they felt dated to me, like the word chum - 'my chum and I.' However, the 'Encyclopedia Brown' books, I read all of them.
What I did do a lot as a child was read, and I particularly remember reading all the 'Hardy Boys' books, a set of history books called the 'Landmark Books,' and a series of science books called the 'All About Books.'
Lists of books we reread and books we can't finish tell more about us than about the relative worth of the books themselves.
I read a lot; I tried to understand the mechanisms that made the books I liked successful, and I went that route. So, as for readers - when I think about them I like to think they read the same books I do.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
I don't finish a lot of the books I read. I get enormous pleasure from reading half f them, two-thirds of them, even incredibly good books. But I don't feel it's my duty to finish them. I read the last few pages and find out what happens at the end.
[Among the books he chooses, a statesman] ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse.
I write romance, women's fiction, chicklit. I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships, books that make you laugh and sometimes make you cry a little.
The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
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