A Quote by Jodie Comer

When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.
I did 'Slither,' so I've done seven hours in the makeup chair. So two hours for zombie makeup is like nothing. That's a walk in the park for me. When you do seven-hour makeup and then eight hours of work, you're thinking, 'Oh God, what did this do to me?' You're under that rubber forever. It's crazy.
I think my attitude's different when I'm in the different places. I don't walk around in character. I try not to walk around with the accent, but those little things change you, whether it's your hair, your clothes, your shoes or a different silhouette. People absolutely look at you differently.
I think clothes should make you feel safe. I like clothes you want to go to sleep in. I sometimes stand in front of a mirror and change a million times because I know I really want to wear my nightgown.
I feel like when you perform in a period drama, it's so easy to transform yourself into someone else because the costumes are so different.
In my day-to-day, I don't wear a lot of makeup, but if I have a lot on from a red carpeted event, I'll use a regular makeup wipe to remove it. Then I use a gentle foaming cleanser, which really gets down into the skin rather than just helping remove the makeup.
There are so many things I'd like to do. I'd really like to be in a period piece that takes place in old New York or old Hollywood and wear those costumes and that makeup.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet, and have experts do my hair and makeup.
At home I wear my own clothes, no makeup and don't do anything exciting with my hair. I get to borrow pretty dresses for the red carpet and have experts do my hair and makeup.
It's as interesting to me as someday getting to play in some beautiful period piece where the costumes are from a completely different era. This feels as extreme as that, and that's really liberating. It's really liberating to just go 180 from what my life is like. I love that! I love not having to think about clothes. I wanted to wear a uniform when I was in high school, but I couldn't. I was like, "It would be so much easier!"
When you put your costume on and you get your hair and your makeup done [for a role] and you stare in the mirror you feel like a different person.
Looking back at old-school pictures, I never had a hair or makeup person. I wasn't required to wear a lot of hair and makeup. I was never really allowed to do that because it was the image.
I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean.
The McQueen woman doesn't want to feel casual. It's not that kind of world. When you put on the clothes, they make you stand differently, feel differently. It was about how to do that but make it feel light. I've always been part of Lee's romantic side, that's what I love.
I love costumes in dance, I think it's very important. The clothes for dancing not only make you feel like somebody else, but it makes you move in a different way.
I'm always trying to change things - change my character, change my look, change my hair, change my facial hair, change my costumes, or implement different jackets or catchphrases. I try to keep myself fresh.
To be honest with you, my mom never really wore makeup when I was growing up. She wasn't really my makeup muse. It was my grandma. The biggest thing that she taught me is that it doesn't matter how your makeup comes out, it's really just how you wear it. If you carry it like you killed your makeup, then that's all that matters.
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