A Quote by Joe Buck

You can make an editorial comment about the play while it's going on. You don't have to be bogged down by the details because the camera is showing the groundball to short. — © Joe Buck
You can make an editorial comment about the play while it's going on. You don't have to be bogged down by the details because the camera is showing the groundball to short.
Don't get bogged down with all the details of how it's going to come together. Just do the dishes. And watch the momentum build.
Life sometimes gets so bogged down in the details, you forget you are living it.
I want to write books that can be read a hundred years from now, and readers wouldn't be bogged down by irrelevant details.
The physicists are getting down to the nitty-gritty, they've really just about pared things down to the ultimate details, and the last thing they ever expected to happen is happening. God is showing through.
I recommend for people, if this is the first time they're going to see an eclipse, don't get bogged down in trying to take pictures of it, because you'll spend much too much time fiddling around with cameras. Unless you've got the strength to just take a quick snapshot and let it go at that and not mess with the camera. Try to drink it in with your eyes and enjoy it.
Movies are details. Movies are billions of details that come into a certain moment. So with all the years and months and weeks and days and minutes of preparation, then finally you're shooting and it all comes down to these moments when you're shooting, which is sort of insane when you think about it. The details make a difference.
I'll make fun of anybody. We're all about falling down and going boom on camera.
I have a very good, close circle of friends, I keep it positive. Obviously there is the negative stuff, but you've got to let go of it. You can't get bogged down in the details of anything, otherwise you'd drive yourself mad.
A huge part of what we do as actors is learning to ignore the camera, as if it's not even there, while simultaneously being very aware of the camera and what it's capturing, because you can give the best performance of your life, but if you do it with the back of your head facing the camera, it's going to get cut from the movie.
If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it.
Most people assume because I'm an actor that's all I know about and care about, I'm actually a camera geek and a film geek. I grew up making short films the same time I was acting. For me, it's a motion picture, not a play. I'm just as interested in what the camera department is doing and world building through costume design and production design as I am in acting. I think all good directors do that whether they're an actor or not.
One should play and sweat. Life shouldn't be bogged down by books.
I don't just get bogged down in, 'I want to win.' There's something even greater than that. And that's the way that you play the game. I want to play beautiful football. That's our purpose: to go out and play the game at the highest level, play it the right way.
I'm not going to comment about potential jobs in the future because that's a rabbit hole to go down and get caught up in, but all I'll say is I'll go where the good scripts are.
The only thing that really bugs me about television's coverage is those damn women they have down on the sidelines who don't know what the hell they're talking about. I mean, I'm not a sexist person, but a woman has no business being down there trying to make some comment about a football game.
Details - that's what it comes down to, so you're always learning more about a play or a concept.
This site uses cookies to ensure you get the best experience. More info...
Got it!