A Quote by Joe Budden

It is a different world, the underground. When you hit mainstream, you hit a saturation level and that turns some people off. When you are on more low-key stuff, it works to your advantage and it creates a buzz on the streets. At that point, the sky is the limit.
It's such an advantage to be able to hit short irons low on command. When it's windy, you'll hit more greens. But low shots are a great strategy in calm conditions, too: The less time the ball hangs in the air, the less time it has to stray off line from the flagstick.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
I would say that everyone that you see who is successful in the mainstream, at the top of Billboard, who has a Top 40 hit... at some point, unless they're a complete fabrication of the industry with no identity of their own and a carbon copy clone of someone else, they in themselves started out being underground.
I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
You could have a season where you hit .330 and did all these great things, but nothing ever materialized from it and you went home October One. Or you could hit .260 and have key hits and key plays on defense that help your team get to the playoffs and win the World Series.
The pleasure of one's effect on other people still exists in age - what's called making a hit. But the hit is much rarer and made of different stuff.
He doesn't like to be hit. Not that anybody likes to be hit, but Brock for whatever reason has shown much more of a dramatic response to the negativity of those shots. To the point where he's not asleep, it isn't like he got knocked out, he's not getting dropped, but he just turns his face away from adversity.
This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time - a tremendous whack.
Boxing is the sweet science. You hit and not get hit. There's no reward for you to hit me more than I hit you other than on the scorecards.
I can't hit some of the real high notes I used to hit, but it makes you have to explore different avenues.
I believe both the mind and the body need to be strong. We practise so hard that even if we hit a saturation point, we can't stop because that is the kind of dedication the sport requires.
I spent a whole year when I was injured just trying to get my arm back to the point where I could hit a tennis ball for more than 30 minutes a day. I'd hit for 15 minutes and it would feel as if my arm was going to fall off.
If you can hit your opponent with two punches, you don't hit him with one. Get off with some bad intentions in there. Believe in yourself. A guy can feel it if you don't believe in yourself. Set your mind to make yourself do it.
What happens when you have to use your top guys so much, they're going to hit a wall at some point, and they'll go four or five games where they just don't have the juice to play at the level that you need, and therefore your team suffers a little bit.
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