A Quote by Joe Diffie

Sometimes in public you don't feel like being "on." But it's OK. It beats working anyday. — © Joe Diffie
Sometimes in public you don't feel like being "on." But it's OK. It beats working anyday.
I think where I've instinctively found myself is that I am somewhat guarded in my public life. Being interviewed or being photographed or just in public attention, I have a certain reserve. But when I'm working I feel like I'm very open. At least I like to believe that I feel like nothing is held back when I'm in front of a camera. That's my job.
It's OK to feel crappy sometimes and it's OK to feel like you don't look like the next person. But what you have to know is that you are beautiful and you are strong and you are worth it. It's important to know that.
Genetics and beats? I feel like the drumbeat is a natural thing. Our heartbeat moves at a certain BPM. The drumbeat, being the first instrument, the platform for us, being that we all kind of come from that - it's all beats.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
Sometimes I feel like a million dollars and sometimes I feel terrible. But I've always been open about the fact that it's OK to be human and embrace those feelings.
It's OK to want to look and feel your best. It's OK to work at being attractive, whatever that means to you. And it's also OK to not expect to be defined by that. It's OK to be powerful in every way: to be big, to take up space. To breathe and thrive.
I feel like with a lot of Madlib's beats, they are made for storytelling. I feel like when I'm working on stuff with him, I can really get into the storytelling aspect mode of my flow.
I think being in the public eye has made me more determined than other people to show that I do belong at the top, and I believe I am one of the hardest-working people at the rink. I feel like I have always been that way, but sometimes I just get in my own way.
Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
I'm 27. I feel like I get it. I'm OK with being sexy if I feel like it. Some days I'm brainy, some days I'm funny, some days I'm sexy, and sometimes, I just want to dance.
It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.
I feel like I've gotten myself comfortable making beats in front of people, so like, if I'm in a big room of people, I'm not like, nervous. I wanna be able to make beats on the spot.
I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
If you have nothing to hide, if you're actually working for eight hours, or 10 or 12 hours, however long people decide to work, it's OK to have windows around conference rooms, it's OK to have cubicles. Because you're actually working. If you're not working, doing social media and spending half the day for personal stuff, then an environment like this will actually bother you.
For me, it's different every year. Some years, it takes me a while to feel comfortable again, to feel like I'm ready to go. Other years, it clicks real fast. Sometimes, it just takes one game or one swing to feel like, 'OK, I'm back.'
I found a way into the acting business because I thought, well, it beats working for a living, and so that's what I do. But I still feel like a bit of a stranger in it all. I've never really belonged anywhere.
This site uses cookies to ensure you get the best experience. More info...
Got it!