A Quote by Joe Nichols
If one artist sells five million albums, the tendency is for other artists to say, 'Maybe I should do a little of that, too.' That can be tough to resist.
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I don't do something because I think it will sell 30 million albums. I couldn't care less. If it sells one, it sells one.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
I think it would be nice to sell 15 million albums as a solo artist. I'd have to deal with all the repercussions of that, but that wouldn't be too bad.
I'm a little too belligerent. I cuss and swear at people. I yell at umpires and maybe I'm a little to tough at home sometimes. I don't sign as many autographs as I should and I haven't always been that good with writers.
If you want to live your life in a creative way, as an artist, you have to not look back too much. You have to be willing to take whatever you’ve done and whoever you were and throw them away. The more the outside world tries to reinforce an image of you, the harder it is to continue to be an artist, which is why a lot of times, artists have to say, “Bye. I have to go. I’m going crazy and I’m getting out of here.” And they go and hibernate somewhere. Maybe later they re-emerge a little differently. (Steve Jobs)
I ended up writing songs and growing up in public with my songwriting. And it's a good thing for me back then: in the early '70s, there was a thing called artist development, where an artist could find his feet, find himself, find his voice. I think I made five or six albums before I sold five or six albums.
In the recording process I do listen to other artists a lot and other albums and albums I am loving lately, or ones that I still love that came out in the 80s or 70s.
Mexico is the second most important destination of U.S. exports. What does this mean? The U.S. sells to our country almost the same as it sells to all the European Union, five times what it sells Brazil. More than what it sells together to Brazil, Russia, China, and India.
Artists in not only country but other genres usually make four or five albums, then they change producers to keep their sound moving forward.
Someone at Hollywood Records said, 'Are you into Alanis Morissette?' I said 'Yeah, she sells 26 million albums, of course. It would be perverse if she works with me, but I don't think you can get her.' A week later they say she's coming down the studio.
I've never been asked to do a collaboration. I guess I just don't give off that come-and-get-me vibe. I wouldn't be adverse to doing one with Coldplay or U2 - anyone who sells 50 million albums.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.
I look at other artists who have had fabulous first albums, and you don't know what they're doing today. Who's to say I'll be an exception to that rule?
Artists draw for themselves, If someone draws for them, theyre not an artist. An artist is someone who makes their own music and albums. Artist think music is a drawing, and they draw theirs.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
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